Acknowledgments  ix
Introduction. Aerial Aftermaths  1
1. Surveying Wartime Aftermaths: The First Military Survey of Scotland  34
2. Balloon Geography: The Emotion of Motion in Aerostatic Wartime  68
3. La Nature à Coup d'Oeil: "Seeing All" in Early Panoramas  104
4. Mapping "Mesopotamia": Aerial Photography in Early Twentieth-Century Iraq  138
5. The Politics of the Sensible: Aerial Photography's Wartime Aftermaths  180
Afterword. Sensing Distance  207
Notes  217
Works Cited  255
Index  277

"Kaplan challenges the assessment that the view from above must always entail power and control, though that’s often the purpose of this perspective. . . . As Kaplan shows, the view from above can be appropriated by artists and activists to challenge military claims and call attention to the suffering on the ground. She herself takes a view from higher above to critique drone warfare." — Jason Pearl, Public Books

"[A] fascinating history which [Kaplan] illustrates with well-chosen images sprinkled throughout the text. She shows that while the aerial perspective is far from new, contemporary viewers almost always find it fresh and consider the view from the heavens to be particularly revealing." — Neta C. Crawford, H-Diplo, H-Net Reviews

"Stimulating. . . . The author’s usage of the literature is deft, keeping the text moving with discussion and a contemporary turn of phrase. . . . The book is well designed and fully indexed making it a valuable resource for interdisciplinary study and discussion." — Mike Leggett, Leonardo Reviews

"Kaplan challenges the assessment that the view from above must always entail power and control, though that’s often the purpose of this perspective. . . . As Kaplan shows, the view from above can be appropriated by artists and activists to challenge military claims and call attention to the suffering on the ground. She herself takes a view from higher above to critique drone warfare." —Jason Pearl, Public Books

"[A] fascinating history which [Kaplan] illustrates with well-chosen images sprinkled throughout the text. She shows that while the aerial perspective is far from new, contemporary viewers almost always find it fresh and consider the view from the heavens to be particularly revealing." —Neta C. Crawford, H-Diplo, H-Net Reviews

"Stimulating. . . . The author’s usage of the literature is deft, keeping the text moving with discussion and a contemporary turn of phrase. . . . The book is well designed and fully indexed making it a valuable resource for interdisciplinary study and discussion." —Mike Leggett, Leonardo Reviews

"Caren Kaplan's Aerial Aftermaths is a brilliant and wide-ranging examination of aerial ways of seeing and the history of the technologies employed when it comes to representing that which can be observed from on high. From the exploits of early aeronauts, military mapping, and what is seen and sensed through panoramic paintings to aerial surveying as a means of colonial governance and more, Kaplan's absorbing analysis is unmatched in its depth. With far-reaching implications for the study of visual culture and, crucially, how we interrogate the violence of drones and remote warfare, Aerial Aftermaths is essential reading." — Simone Browne, author of, Dark Matters: On the Surveillance of Blackness

“Caren Kaplan’s Aerial Aftermaths is the leading work in an important new crossover field between visual studies, science and technology studies, and critical theory of geography. Not since Anne Friedberg’s The Virtual Window have we seen such a richly researched and theorized media archaeology of technologies of visuality. This is the account of ‘objective’ seeing from above that critical technoscience studies readers have been waiting for since Donna Haraway held forth against this ocular ‘God trick’ almost thirty years ago. Kaplan’s book comes at a time when we urgently need the kind of historical insight she offers about the geopolitical and military technologics that inform the myriad contemporary global systems through which surveillance and control are enforced.” — Lisa Cartwright, coauthor of, Practices of Looking: An Introduction to Visual Culture

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