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Alfredo Jaar

Decolonial Time and the Aesthetics of the Unfinished

Book

Pages: 280

Illustrations: 88 illustrations, incl. 31 in color

Release Date: July 14, 2026

Author: Florencia San Martín

Foreword by: Wolfgang Kaleck

Contributor: Wolfgang Kaleck

In Alfredo Jaar, the first critical academic survey devoted to the prominent Chilean-born artist, Florencia San Martín shows how his work takes up mourning, accountability, and failure, offering a new model for how to think about global contemporary art today.

In Alfredo Jaar, Florencia San Martín analyzes the work of the prominent Chilean-born artist Alfredo Jaar, whose work challenges the linear and triumphalist temporality of Western modernity that obscures the violence of colonization and globalization. San Martín argues that Jaar’s work represents decolonial time, exposing the limits of the violent systems we inhabit. His art, she maintains, is informed by and responds to two interconnected historical events relevant to his own life: the US-backed military coup that established Pinochet’s dictatorship in Chile and the implementation around the world of the corollary neoliberal economic system. San Martín explores the key themes in Jaar’s artistic practice—mourning, accountability, and failure—which situates the victims of the Chilean regime in a global context, directly confronts the architects of atrocity, and questions how ideas of diversity and inclusion have been co-opted by modern neoliberal discourses. Alfredo Jaar enables us to reimagine art history, offering a fresh paradigm with which to think about global contemporary art.

Praise

“It is rare that an artist whose work is deeply committed to sociopolitical issues receives detailed attention to that element rather than glancing references to alert the viewer. Alfredo Jaar is not only a globally important visual artist but a savvy and brilliant commentator/participant in the content at the heart of his work. In this book—as potentially groundbreaking as Jaar’s art—Florencia San Martín offers a dense, detailed, and intelligent analysis of the art and its crucial political contexts, opening up Jaar’s visual oeuvre to its real significance in and beyond the world of art.” - Lucy R. Lippard, writer, art critic, activist, and curator

“Florencia San Martín provides a compelling argument for Alfredo Jaar as a powerful guide through the practices of decolonial art made within today’s repressive neoliberal regimes. Grounded in over a decade of interviews with one of the leading voices in contemporary art, this study envelopes the reader in Jaar’s urgent questions about social justice and state violence, migration and exile, happiness and loss.” - Esther Gabara, author of Non-literary Fiction: Art of the Americas Under Neoliberalism

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Author/Editor Bios

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Florencia San Martín is Assistant Professor of Art History at Lehigh University.

Wolfgang Kaleck is the founder as well as general secretary for the European Center for Constitutional and Human Rights.

Table Of Contents

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List of Illustrations  ix
Foreword: Vivimos Adentro, Pero en Contra / Wolfgang Kaleck  xiii
Introduction. Decolonial Time and the Aesthetics of the Unfinished  1
Representing Decolonial Time  4
The Ongoing Neoliberal Present  12
Hemispheric and Global Entanglements  20
Exercises of Memory  35
1. Mourning  46
Stanzas of Remembrance  49
Urgent Solidarities  62
Images of Existence  67
Grief Uprising  75
2. Accountability  88
An Imperial Handshake  91
Politics of Images  102
Representation and Liability  115
Time and Crime  128
3. Failure  136
Reenactments  137
Combat Zones  146
Liberation  156
Revolution  163
Conclusion. The End of the World  172
Acknowledgments  197
Notes  203
Bibliography  231
Index  251
 

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Additional Information

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Paper ISBN: 978-1-4780-3878-8 / Hardcover ISBN: 978-1-4780-3390-5 / eISBN: 978-1-4780-6241-7 /