American Blockbuster

“Charles R. Acland has written an astute, masterful genealogy of the film critic's kryptonite: the blockbuster. Bringing clarity to the massive films that hide from scholars in plain view, Acland shows just how complex and unstable ostensibly self-evident genre and trade terms can be. Beyond a film history, this wide-ranging book offers a prototype for multi-modal historiographic method and incisive film analysis in an era of big data and digital humanities. Far more than an origin story, Acland's reverse engineering lays bare the struggles behind the management of Hollywood's blockbuster category, the fabrication of overdone artlessness. A must-read in film and media studies.” — John Thornton Caldwell, author of Production Culture: Industrial Reflexivity and Critical Practice in Film and Television

“No other book traces the emergence of the stabilization of Hollywood's blockbuster strategy as deftly as American Blockbuster. Charles R. Acland's powerful synthesis of historical analysis and cultural theory along with his assessment of Hollywood's blockbuster economy—and of the studios’ prevailing blockbuster aesthetic—will have a significant impact.” — Thomas Schatz, author of The Genius of the System: Hollywood Filmmaking in the Studio Era