“An Eye for the Tropics: Tourism, Photography and Framing the Caribbean Landscape, which concentrates on Jamaica and the Bahamas, teases out the issues at stake in promotional representations of the islands in the popular medium of photography (from postcards to slide presentations) and underscores the connections between the visual marketing of the islands and the politics of race. . . . An Eye for the Tropics reveals some essential reflections upon the image-making machinery of tourism.” — Melanie Vandenbrouck-Przybylski, Art History
“An Eye for the Tropics is a valuable contribution to Caribbean studies. In particular, it does an amiable job in alerting scholars to the problems inherent in regarding postcards and other photographic representations of the region as somehow truer, or more objective, than other historical documents.” — Carl Thompson, New West Indian Guide
“A wryly intelligent examination of the ways that postcard and poster depictions of the Caribbean have influenced and been influenced by the island’s tourist economies.” — Nicholas Laughlin, Antilles weblog of Caribbean Review of Books
“Although it frequently seems that the old adage holds true, and there are really no new ideas under the sun, only new writers (or something to that effect), An Eye for the Tropics reads as a maiden, thoroughly researched, and highly successful journey over previously unexplored territory.” — Melanie Archer, The Caribbean Review of Books
“One of the first studies to critically interrogate the visual culture of the Caribbean through the lens of both popular art and fine art, it’s an important book that, no doubt, will continue to force the question of an distinct Caribbean art history, singular from a similarly contentious, African American chronicle, and impacted by the parallel histories of economic underdevelopment in the region and Western nostalgia for a present-day, accessible paradise.” — Richard J. Powell, Small Axe
“In An Eye for the Tropics, Krista A. Thompson’s guiding preoccupation is with the construction of the Anglo-Creole Caribbean within a colonial regime of visual and discursive representation. How, she asks, was the Caribbean framed within the ocular terms of a tropical paradise as a space of verdant, quasi-primitive desire? The story she tells to answer this question is at once historically detailed and theoretically acute.” — David Scott, author of Conscripts of Modernity: The Tragedy of Colonial Enlightenment
“Krista A. Thompson masterfully uses early-twentieth-century postcards to show how social, political, and racial issues are embedded in postcard imagery, while simultaneously analyzing current collecting practices. She makes substantial new and intriguing contributions to the understanding not simply of the historical tropicalization of the islands but of the persistence of such propagandistic attitudes in the economic survival of the islands today.” — Judith Bettelheim, Professor of Art and Art History, San Francisco State University