Anthropology, Film Industries, Modularity
Book
Pages: 288
Illustrations: 12 illustrations
Published: November 2021
Editors: Ramyar D. Rossoukh, Steven C. Caton
Contributors: Tejaswini Ganti, Amrita Ibrahim, Lotte Hoek, Sylvia J. Martin, Jessica Dickson, Kevin Dwyer
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This title will be released on November 12, 2021
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Author/Editor Bios
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Ramyar D. Rossoukh is Lecturer in the Princeton Writing Program at Princeton University.
Steven C. Caton is Khalid bin Abdullah bin Abdulrahman Al Saud Professor of Contemporary Arab Studies at Harvard University.
Steven C. Caton is Khalid bin Abdullah bin Abdulrahman Al Saud Professor of Contemporary Arab Studies at Harvard University.
Table Of Contents
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Acknowledgments vii
Introduction / Ramyar D. Rossoukh and Steven C. Caton 1
1. “English is So Precise and Hindi Can be So Heavy!”: Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti 41
2. The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh 63
3. Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim 89
4. “This is Not a Film”: Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek 109
5. “This Most Reluctant of Romantic Cities”: Dis-location Film Shooting in the Old City of Sana’a / Steven C. Caton 129
6. Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin 163
7. Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson 181
8. The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer 213
References 243
Contributors 267
Index 269
Introduction / Ramyar D. Rossoukh and Steven C. Caton 1
1. “English is So Precise and Hindi Can be So Heavy!”: Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti 41
2. The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh 63
3. Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim 89
4. “This is Not a Film”: Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek 109
5. “This Most Reluctant of Romantic Cities”: Dis-location Film Shooting in the Old City of Sana’a / Steven C. Caton 129
6. Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin 163
7. Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson 181
8. The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer 213
References 243
Contributors 267
Index 269
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Rights and licensingAdditional Information
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Paper ISBN:
978-1-4780-1490-4 /
Hardcover ISBN:
978-1-4780-1396-9 /
eISBN:
978-1-4780-2219-0 /
DOI:
https://doi.org/10.1215/9781478022190
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