“Bodies of Work is an absorbing and inventive history. The book includes thirty illustrations that bring the argument to life, and Slavishak’s melding of visual studies and labor history is imaginative and provocative.” — Will Cooley, H-Net Reviews
“Amply illustrated, this interdisciplinary work fruitfully blends visual studies with labor, cultural, and gender history. . . . Most important, it compellingly illuminates how, in one of the nation’s leading industrial cities at the turn of the twentieth century, workers’ bodies became bodies of work, with all that is entailed.” — Gregory L. Kaster, Pennsylvania Magazine of History and Biography
“Slavishak reminds us of the powerful role of intellectual elites in shaping popular understandings of workers’ bodies.” — Paul Michel Taillon, Journal of Amerian History
“Slavishak’s Bodies of Work. . . is a solidly researched, well written, and thought-provoking study of the working-class body in an industrial city. Slavishak’s meticulous case study, an exemplary model of how to intertwine cultural and social history, will demand the attention of historians of the Gilded Age and Progressive Era.” — Brian M. Ingrassia, Journal of the Gilded Age and the Progressive Era
“The book emerges from, and makes a useful contribution to, scholarly explorations of public memory and display, particularly in the areas of civic boosterism, parades, and commemorative activities. . . . Slavishak’s prose is clear and straightforward, and there is much that is fascinating in his detailed descriptions of industrial processes and their depictions. The book’s greatest strength is in the way it considers different representational strategies within the same analytical frame: textual and performative, social scientific and commercial, hegemonic and subaltern.” — Cathy Stanton, Anthropology of Work Review
“This is an important and exciting book. Edward Slavishak challenges labor historians to widen the focus of our studies and broaden our method of analysis. He reminds us, with elegant prose and clear evidence, that workers may have been individuals who shared common experiences, but they were also bodies at labor.” — Daniel E. Bender, Labor,
“This really is an excellent study. Slavishak has pulled together a rich array of discussions and texts, he is an imaginative thinker and a clear writer, and his chapters are models of organization. What is more, he is a skillful interdisciplinarian, providing good historical narrative and context, showing a nice ability at close textual reading, and offering astute analyses of both popular and ‘fine art’ images. His book should have wide appeal, and it shows how rewarding a cultural study at the local level can be.” — Stephen P. Rice, Winterthur Portfolio
“Following several decades of scholarship demonstrating the centrality of working-class men and women to the history of American industrial life, this study reminds us of the very powerful role of intellectual elites in the development of popular images of workers’ bodies as both enhanced and broken by the industrial machine. Edward Slavishak challenges labor and working-class historians to demonstrate in even more certain terms than before the myriad ways that workers’ portraits of themselves influenced popular perceptions of their bodies during the industrial age.” — Joe William Trotter Jr., Giant Eagle Professor of History and Social Justice and Head of the Department of History, Carnegie Mellon University
“In Bodies of Work, Edward Slavishak constructs a fascinating web of visual and textual evidence, interweaving various discourses on industrial labor, the male body, masculinity, and the city of Pittsburgh. From his creative new take on the Homestead strike and his subtle readings of visual culture to his startlingly original analyses of worker fatigue, the injured body, and the ubiquity of prosthetic limbs, he presents a broad new spectrum of ideas and approaches to the study of industrial labor.” — Melissa Dabakis, author of Visualizing Labor in American Sculpture: Monuments, Manliness, and the Work Ethic