Acknowledgments  ix
Introduction. Biopolitical Aesthetics and the Chinese Body as Surplus  1
1. Chinese Whispers: Frankenstein, the Sleeping Lion, and the Emergence of a Biopolitical Aesthetics  25
2. Souvenirs of the Organ Trade: The Diasporic Body in Contemporary Chinese Literature and Art  49
3. Organ Economics: Transplant, Class, and Witness from Made in Hong Kong to The Eye  83
4. Still Life: Recovering (Chinese) Ethnicity in the Body Worlds and Beyond  115
Epilogue. All Rights Preserved: Intellectual Property and the Plastinated Cadaver Exhibits  139
Notes  159
Bibliography  227
Index  239

“A compelling account of how the aesthetics of corporeal politics has come to condition the rhetorics and epistemologies of life, realism, existence, authenticity, technology, reproduction, and the body itself, Chinese Surplus will forever change the way we think about the power of visual embodiment in an age of increasing angst over property/propriety rights, technological determinism, and human’s role in their imbricated historical legacy.” — Howard Chiang, Journal of the History of Biology

“A compelling account of how the aesthetics of corporeal politics has come to condition the rhetorics and epistemologies of life, realism, existence, authenticity, technology, reproduction, and the body itself, Chinese Surplus will forever change the way we think about the power of visual embodiment in an age of increasing angst over property/propriety rights, technological determinism, and human’s role in their imbricated historical legacy.” —Howard Chiang, Journal of the History of Biology

"In this important and complex work, Ari Larissa Heinrich continues his interrogation with the politics of the body through a systematic examination of various representations of the medically commodified body in contemporary Chinese and transnational literature, media, art, visual culture, and popular science. Incorporating both political economy and aesthetics, this examination opens up new ways to thinking about the interrelationship and interpenetration between science, medicine, commodity, and the arts in modern and contemporary environments." — Wu Hung, Harrie A. Vanderstappen Distinguished Service Professor of Art History and East Asian Languages and Civilizations, University of Chicago

“Chinese Surplus is a timely, deeply moving, and consequential work, one that is both intellectually and affectively engaging. It significantly advances contemporary debates about the international division of humanity, affective and immaterial labor, biopolitics and biopower, imperial legacies, and globalization. A model of interdisciplinary scholarship, its ambitious originality will become a yardstick against which future studies will be measured.” — Lisa Lowe, author of, The Intimacies of Four Continents

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