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Content Machines

Reading and Writing in the Platform Era

Cover of Content Machines is white with a tablet featuring six colorful digitally drawn images of romance book covers. There are blue thumbs ups and red hearts covering the images.

Book

Pages: 190

Illustrations: 2 illustrations

Release Date: October 27, 2026

While much has been said about the democratization of publishing through the rise of platforms like Amazon’s Kindle Direct Publishing, little attention has been paid to the broader effect these technologies have had on writers, readers, and the publishing industry. In Content Machines, Sarah Brouillette considers how short-form, platform-based, and social media writing on digital mediums like Wattpad and TikTok has reshaped modern publishing, reading, and writing. Brouillette identifies three mutually reinforcing processes that platform capitalism entangles in the publishing industry: the marked feminization of book work; the rise of a bibliotherapeutic vocabulary that grounds reading and writing as self-care work; and the growth of platform-based processes that cheapen content and intensify the pressure to engage in self-promotion and entrepreneurial strategizing. She breaks down the business models that have been key to this transformation and traces the social conditions that make online self-published fiction, especially young adult, romance, and fantasy stories, into spaces for community while, conversely, signaling how these publishing practices depend upon undervalued and feminized labor from marginalized groups. Content Machines is a much-needed survey of the contours of the modern reading and writing landscape.

Praise

“Brouillette’s legendary gift for laying out the painful truths of literary life in our time is abundantly evident in this important new book. Exploring an array of fascinating new phenomena arising at the intersection of platform capitalism, gendered labor, and storytelling, Content Machines is as engaging as it is bracing, and will make a lasting mark on contemporary criticism.” - Mark McGurl, author of Everything and Less: The Novel in the Age of Amazon

“No one is better at dissecting the exploitation of creative aspiration than Sarah Brouillette. She cuts through the entrepreneurial platitudes of platform capitalism to offer a searing portrait of the labor required of self-publishers and social media content producers. Content Machines deftly captures the tragic and farcical dimensions of twenty-first century cultural production.” - Aarthi Vadde, author of We the Platform: How the Internet Changed Twenty-First-Century Literature

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Information

Author/Editor Bios

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Sarah Brouillette is Professor of English at Carleton University and author of UNESCO and the Fate of the Literary, among other works.

Table Of Contents

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Introduction  1
1. Wattpad’s Bibliotherapy  27
2. Booktok’s Romance  49
3. Ambient Audible  73
4. Self-Publishing Advice as an Entrepreneurial Genre  95
5. Autofiction, Immediacy, and the Trauma Plot  119
Conclusion 141
Acknowledgments  151
Notes  153
Bibliography  165
Index

Rights

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Sales/Territorial Rights: World

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Additional Information

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Paper ISBN: 978-1-4780-3914-3 / Hardcover ISBN: 978-1-4780-3421-6 / eISBN: 978-1-4780-6279-0 /