Counterlife

Slavery after Resistance and Social Death

Book Pages: 152 Illustrations: 5 illustrations Published: December 2020

Subjects
African American Studies and Black Diaspora, American Studies, Literature and Literary Studies > Literary Criticism

In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

Praise

“The boldness and ambition of Christopher Freeburg's Counterlife are apparent on every page. Freeburg challenges decades of work on U.S. slavery that highlights either slave resistance or white dominance, but often not more than that. As an alternative, Freeburg insists that we consider the many possibilities of both Black life during slavery and the ways that we now dare to imagine and reference that life.” — Robert F. Reid-Pharr, author of Archives of Flesh: African America, Spain, and Post-Humanist Critique

“Christopher Freeburg's theory of counterlife is the refreshing new grammar that breaks out of slavery studies' conscious and unconscious lapses into the binary of social death or social life. Counterlife adds crucial new dimensions to the study of the artistic representation of enslaved Africans. This bold, brilliant study teaches us how to stumble, with uncertainty and vulnerability, into the ever-expanding archive of slavery.” — Margo Natalie Crawford, author of Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics

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Open Access

Fall2020 Online Sale
Author/Editor Bios Back to Top

Christopher Freeburg is Professor of English at the University of Illinois at Urbana-Champaign and author of Black Aesthetics and the Interior Life and Melville and the Idea of Blackness: Race and Imperialism in Nineteenth-Century America.

Table of Contents Back to Top
Acknowledgments
Introduction: Slavery's Hereafter
1. Sambo's Cloak
2. Kaleidoscope Views
3. Sounds of Blackness
4. The Last Black Hero
Coda: Chasing Ghosts
Notes
Bibliography
Sales/Territorial Rights: World

Rights and licensing
Additional InformationBack to Top
Paper ISBN: 978-1-4780-1144-6 / Cloth ISBN: 978-1-4780-1041-8
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