Preface  ix
Acknowledgments  xi
Introduction. The Politics of Participation in Ngoma Song and Dance  1
1. Turning to Be Kissed: Praise, Flirtation, and the Work of Men  28
2. The Unwavering Voice: Affect, Eloquence, and the Moral Anger of Men  62
3. Feet of the Centipede: Military Aesthetics and the Politics of Reconciliation  94
4. To Quell the Dancer's Dust: Singing Violence during South Africa's Transition  124
5. The Crossing: World Music and Ngoma at Home  151
6. Dancing Around Disease: Silence, Ambiguity, and Brotherhood  182
7. The Digital Homestead: Having a Voice and the Sound of Marginalization  210
8. Brokering the Body: Culture, Heritage, and the Pleasure of Participation  240
Closing. Ngoma's Masculinity, South Africa's Struggle  266
Notes  273
References  307
Index  329

TJ Lemon

"Studies of African performance remain far too few; this one sets a very high bar. Essential." — A. F. Roberts, Choice

"Studies of African performance remain far too few; this one sets a very high bar. Essential." —A. F. Roberts, Choice

“Dust of the Zulu is hands-down among the very best ethnographic works ever written on the politics of aesthetics. Commanding, rewarding, challenging, and shattering in turns, equally gorgeous and unflinching in its evocations, it is above all poignant and virtuosic in its performance of criticism and compassion. This is a hugely important book for South African history and aesthetics, for anthropologies of the body and voice, for cultural studies of music, sound, and dance, and for experimental ethnographic writing and imaging. A stunning book.” — Steven Feld, author of, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana

“Louise Meintjes brilliantly salvages Zulu dancers from the demeaning, colonialist stereotypes of sweating, bellicose, and largely anonymous men. Readers who have long been frustrated by the dearth of serious studies of African dance will welcome her comprehensive theoretical grasp, analytical rigor, and sheer intellectual potency. A terrific work that will have a lasting impact, Dust of the Zulu will reinvigorate dance and performance studies everywhere. Meintjes makes South African studies proud.” — Veit Erlmann, author of, Music, Modernity, and the Global Imagination: South Africa and the West

Permission to Photocopy (coursepacks)

If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;

If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).

Permission to Reprint

If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).

Images/Art

Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
For book covers to accompany reviews, please contact the publicity department.

Subsidiary Rights/Foreign Translations

If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.

Disability Requests

Instructions for requesting an electronic text on behalf of a student with disabilities are available here.

Rights & Permissions Contact Information

Email: permissions@dukeupress.edu

Email contact for coursepacks: asstpermissions@dukeupress.edu

Fax: 919-688-4574

Mail:
Duke University Press
Rights and Permissions
905 W. Main Street
Suite 18B
Durham, NC 27701

For all requests please include:

1. Author's name. If book has an editor that is different from the article author, include editor's name also.

2. Title of the journal article or book chapter and title of journal or title of book

3. Page numbers (if excerpting, provide specifics)

For coursepacks, please also note: The number of copies requested, the school and professor requesting

For reprints and subsidiary rights, please also note: Your volume title, publication date, publisher, print run, page count, rights sought