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Genres of Listening

An Ethnography of Psychoanalysis in Buenos Aires

Book

Pages: 248

Illustrations: 9 illustrations

Published: September 2022

In Genres of Listening Xochitl Marsilli-Vargas explores a unique culture of listening and communicating in Buenos Aires. She traces how psychoanalytic listening circulates beyond the clinical setting to become a central element of social interaction and cultural production in the city that has the highest number of practicing psychologists and psychoanalysts in the world. Marsilli-Vargas develops the concept of genres of listening to demonstrate that hearers listen differently, depending on where, how, and to whom they are listening. In particular, she focuses on psychoanalytic listening as a specific genre. Porteños (citizens of Buenos Aires) have developed a “psychoanalytic ear” that emerges during conversational encounters in everyday interactions in which participants offer different interpretations of the hidden meaning the words carry. Marsilli-Vargas does not analyze these interpretations as impositions or interruptions but as productive exchanges. By outlining how psychoanalytic listening operates as a genre, Marsilli-Vargas opens up ways to imagine other modes of listening and forms of social interaction.

Praise

Genres of Listening is a pathbreaking, subtly heard and argued, and deeply thought-provoking ethnography of listening. This is a highly innovative and revelatory account of the distinctive nexus of communicative practice, intersubjectivity, and popular psychoanalysis in Buenos Aires. More broadly, it models—with insight and energy—compelling strategies for bringing active listening into more explicit ethnographic exploration. We will never hear the world quite the same way again.” - Don Brenneis, Distinguished Professor of Anthropology Emeritus, University of California, Santa Cruz

Genres of Listening is an important work that injects new energy into psychoanalytic theory as it intersects with anthropology and the humanistic social sciences. An original and highly innovative contribution, this book is powerful and elegant in its analysis of the fundamental formula, ‘When you say X, I hear Y.’ It is essential reading for anyone interested in the intersection of language, affect, and culture, as well as for practicing psychoanalysts.” - Greg Urban, Arthur Hobson Quinn Professor of Anthropology, University of Pennsylvania

"Marsilli-Vargas’s book is an exemplary ethnography, weaving together rich empirical materials with a deeply contextualised case-study to develop novel theoretical insights on a topic of central concern to Sound Studies. . . . Marsilli-Vargas develops important conceptual tools for a nuanced understanding of listening while making a significant contribution to fields such cultural history, Latin American Studies, and the anthropology of sound." - Chris Batterman Cháirez, Sound Studies

Genres of Listening provide us with a wealth of imaginative and acoustic landscapes that will undoubtedly broaden our understanding of the ways in which psychoanalytical knowledge circulates between the North and the South and it is transformed by this process.” - Marcos Azevedo, Sociology of Health & Illness

Genres of Listening is a monumental addition to linguistic and anthropological understanding of listening that fulfills each of its promises.” - Jeremy A. Rud, Linguistic Anthropology

“The book helps us to understand this culture as an urban phenomenon and to study it along with coexisting discourses and cultures of self-care that live beyond the capital of Argentina. . . . Genres of Listening will provide the readers with a deep understanding of the undergoing transformations in Argentina’s more intimate relationships.”
  - Kristin E. Yarris, Bulletin of Latin American Research

Genres of Listening is a valuable study, a very important first step that will be useful for those who research and teach in postgraduate courses about the Argentine middle classes and their ways of thinking and acting.” - Sergio E. Visacovsky, American Ethnologist

"All in all, this book produces a perceptive conception of a key aspect in the constitution of a culture while developing a theory that fills a blind spot in the literature through its unique attention to communication beyond words."

  - Gil Hizi, Anthropological Quarterly

"Xochtil Marsilli-Vargas’s Genres of Listening innovates a scholarly tradition on the generic working of language by proposing that not only speech, but also listening, is shaped, constrained, and afforded by specific genres." - Daniel N. Silva, Journal of Latin American and Caribbean Anthropology

"[Marsilli-Vargas's] meticulous descriptions of 'everyday psychoanalysis' in Argentina . . . makes the book a worthwhile read." - Victor Stout, Exertions

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Information

Author/Editor Bios

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Xochitl Marsilli-Vargas is Assistant Professor in the Department of Spanish and Portuguese at Emory University.

Table Of Contents

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Author’s Note  viii
Acknowledgments  ix
Introduction: A City of Listeners  1
1. For a Theory of Genres of Listening  25
2. The Music in the Words  48
3. “What You Really Mean Is . . .”: Listening to “That Which Is Not Said”  80
4. The Psychoanalytic Field in Buenos Aires  106
5. The Mass Mediation of Psychoanalytic Listening  137
Conclusion: Final Resonances  174
Notes  185
References  203
Index  223

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Sales/Territorial Rights: World

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Awards

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Winner of the 2024 Boyer Prize for Contributions to Psychoanalytic Anthropology, presented by the Society for Psychological Anthropology.

Honorable Mention, 2023 New Voices Book Award, presented by the Society for Linguistic Anthropology

Additional Information

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Paper ISBN: 978-1-4780-1855-1 / Hardcover ISBN: 978-1-4780-1591-8 / eISBN: 978-1-4780-2315-9 / DOI: https://doi.org/10.1215/9781478023159

Funding Information

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This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries— and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website.