Acknowledgments  vii

Introduction. Buddhist Sexual Contemporaneity  1

1. Nang-Nak—Ghost Wife: Desire, Embodiment, and Buddhist Melancholia in a Contemporary Thai Ghost Film  47

2. The Ghost Seer: Chinese Thai Minority Subjectivity, Female Agency, and the Transnational Uncanny in the Films of Danny and Oxide Pang  87

3. Tropical Malady: Same-Sex Desire, Casualness, and the Queering of Impermanence in the Cinema of Apichatpong Weerasethakul  122

4. Making Contact: Contingency, Fantasy, and the Performance of Impossible Intimacies in the Video Art of Araya Rasdjarmrearnsook  160

Coda. Under Permanent Exception: Thai Buddhist-Muslim Coexistence, Interreligious Intimacy, and the Filmic Archive  185

Notes  199

Bibliography  231

Index  249

“Ghostly Desires is about much more than Thai cinema. Fuhrmann pursues these diverse moving image-makers far beyond the nation’s moral-institutional architecture; and their “queering” of that architecture takes her far beyond the critical conventions of gender studies.” — David Teh, Pacific Affairs

"Ghostly Desires has indeed opened new conversations on the question of how the diverse genres of recent Thai cinema challenge us to refashion theory." — Peter A. Jackson, Journal of Southeast Asian Studies

"A deft and delicately defined analysis of the intersections between queer sexuality, vernacular Buddhist tenets and Thai cinema, tales and images." — Rachel Harrison, Sojourn

"Ghostly Desires has achieved a rare accomplishment in the field of Thai studies. It fuses innovative, postmodern theoretical sophistication with a rich grounding and expertise in the Thai cultural, historical, and aesthetic context." — Megan Sinnott, Sojourn

"Fuhrmann mines the rich materialist indexicality of ghosts to dazzling effect in her brilliant new study of queer sexuality and Buddhist-coded tropologies of desire . . . singularly impressive achievement that stages valuable interventions in competing interdisciplinary debates about cinema, religion, and sexual publics. . . . A dazzling debut from an important new voice in feminist, queer, and Asian cultural studies that deserves a wide and appreciative readership." — Brett Farmer, GLQ

"Brilliant ... Arnika Fuhrmann’s transdisciplinary approach is a perfect example of what the queering of area studies can look like and thus fits well with the idea of New Area Studies research and its goal to investigate situated differences and formulate mid-range concepts." — Benjamin Baumann, The Journal of Asian Studies

“Ghostly Desires is about much more than Thai cinema. Fuhrmann pursues these diverse moving image-makers far beyond the nation’s moral-institutional architecture; and their “queering” of that architecture takes her far beyond the critical conventions of gender studies.” —David Teh, Pacific Affairs

"Ghostly Desires has indeed opened new conversations on the question of how the diverse genres of recent Thai cinema challenge us to refashion theory." —Peter A. Jackson, Journal of Southeast Asian Studies

"A deft and delicately defined analysis of the intersections between queer sexuality, vernacular Buddhist tenets and Thai cinema, tales and images." —Rachel Harrison, Sojourn

"Ghostly Desires has achieved a rare accomplishment in the field of Thai studies. It fuses innovative, postmodern theoretical sophistication with a rich grounding and expertise in the Thai cultural, historical, and aesthetic context." —Megan Sinnott, Sojourn

"Fuhrmann mines the rich materialist indexicality of ghosts to dazzling effect in her brilliant new study of queer sexuality and Buddhist-coded tropologies of desire . . . singularly impressive achievement that stages valuable interventions in competing interdisciplinary debates about cinema, religion, and sexual publics. . . . A dazzling debut from an important new voice in feminist, queer, and Asian cultural studies that deserves a wide and appreciative readership." —Brett Farmer, GLQ

"Brilliant ... Arnika Fuhrmann’s transdisciplinary approach is a perfect example of what the queering of area studies can look like and thus fits well with the idea of New Area Studies research and its goal to investigate situated differences and formulate mid-range concepts." —Benjamin Baumann, The Journal of Asian Studies

"Through a bravura queering of Buddhist discourses of attachment, loss, and desire, Arnika Fuhrmann advances a deft and compelling critique of the limited framing of the current debates over state sexual regulation and queer and feminist advocacy in Thailand. Modeling how a queer feminist consideration of religion and film might proceed, this extraordinary book advances a queer critique of cinema that draws on Thai politics and counterdoctrinal uses of Buddhism. A brilliant book and an unquestionably major scholarly intervention, Ghostly Desires will galvanize the study of Thai cinema while taking the study of queer and political film more generally in new directions." — Bliss Cua Lim, author of, Translating Time: Cinema, the Fantastic, and Temporal Critique

"Arnika Fuhrmann's brilliant book focuses on nondoctrinal, Thai, Buddhist ontologies where queer female figures form around Buddhist melancholia, affirming an impossible, temporally failed desire. Fuhrmann shows the critical potential of Buddhist-coded anachronism to reimagine attachment and create subjects who are universalizable but only in relation to queer soteriology and to our shared historical time. Beautifully written, Ghostly Desires is a joy to read and to contemplate." — Tani Barlow, author of, The Question of Women in Chinese Feminism

Permission to Photocopy (coursepacks)

If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;

If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).

Permission to Reprint

If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).

Images/Art

Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
For book covers to accompany reviews, please contact the publicity department.

Subsidiary Rights/Foreign Translations

If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.

Disability Requests

Instructions for requesting an electronic text on behalf of a student with disabilities are available here.

Rights & Permissions Contact Information

Email: permissions@dukeupress.edu

Email contact for coursepacks: asstpermissions@dukeupress.edu

Fax: 919-688-4574

Mail:
Duke University Press
Rights and Permissions
905 W. Main Street
Suite 18B
Durham, NC 27701

For all requests please include:

1. Author's name. If book has an editor that is different from the article author, include editor's name also.

2. Title of the journal article or book chapter and title of journal or title of book

3. Page numbers (if excerpting, provide specifics)

For coursepacks, please also note: The number of copies requested, the school and professor requesting

For reprints and subsidiary rights, please also note: Your volume title, publication date, publisher, print run, page count, rights sought