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"Through a bravura queering of Buddhist discourses of attachment, loss, and desire, Arnika Fuhrmann advances a deft and compelling critique of the limited framing of the current debates over state sexual regulation and queer and feminist advocacy in Thailand. Modeling how a queer feminist consideration of religion and film might proceed, this extraordinary book advances a queer critique of cinema that draws on Thai politics and counterdoctrinal uses of Buddhism. A brilliant book and an unquestionably major scholarly intervention, Ghostly Desires will galvanize the study of Thai cinema while taking the study of queer and political film more generally in new directions." — Bliss Cua Lim, author of, Translating Time: Cinema, the Fantastic, and Temporal Critique
"Arnika Fuhrmann's brilliant book focuses on nondoctrinal, Thai, Buddhist ontologies where queer female figures form around Buddhist melancholia, affirming an impossible, temporally failed desire. Fuhrmann shows the critical potential of Buddhist-coded anachronism to reimagine attachment and create subjects who are universalizable but only in relation to queer soteriology and to our shared historical time. Beautifully written, Ghostly Desires is a joy to read and to contemplate." — Tani Barlow, author of, The Question of Women in Chinese Feminism
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