“[A] multi-disciplinary text , one that cultural theorists, business historians and horror enthusiasts alike will find both useful and entertaining. . . . [B]oth a reference guide and a complement to any horror fan’s library, and Heffernan’s book is academically valuable not only to scholars of cinema but anyone with an interest in the cultural significance of shifts in market forces and capitalist agendas.” — Louise Sheedy , Senses of Cinema
“[T]his text achieves its goals in giving a detailed account of major changes, and reasons for them, in horror films and the American film industry during the 1950s and 1960s.” — Rebecca Janicker , Scope
“[T]horoughly researched and well-written…. This is an important study that deserves the attention of film scholars.” — Gregory D. Black , American Historical Review
“Readers of this magazine are bound to enjoy this well-researched, well-written account of horror films and film economics during the transitional years 1953—1968.… [A] remarkable achievement.” — Anthony Ambrogio , Video Watch Dog
“While Ghouls, Gimmicks, and Gold is a sound scholarly study, its recovery of these films has its own visceral attractions. Perhaps for some readers the advice given to prospective audiences for House on Haunted Hill (1958) might prove useful: ‘Consult your doctor! Bring your seatbelts! [Read] it with someone with warm hands!’” — Susan Allan Ford , Gothic Studies
"Ghouls, Gimmicks, and Gold is rich in insights and will make film history more complex and nuanced." — Saverio Giovacchini , Enterprise and Society
"[A] powerful contribution to academic considerations of both horror films and the cinema industry at large. . . . [I]n spanning an impressive breadth of economic data, cultural analysis and horror film fandom the utility of Ghouls, Gimmicks, and Gold lies in its clear demonstration of how the horror film has been at the heart of changes within the American cinema industry during the past sixty years." — Leanne Downing , Screening the Past
"[A] well-written, thoroughly researched history of the developments in horror filmmaking during a period of exceptional complexity for the American film industry." — Andrew J. Douglas , Business History Review
"[A]n appealing mixture of scholarly seriousness and fan enthusiasm. . . . Heffernan's multiplicity of small stories keeps the discussion . . . entertaining. . . . Highly recommended as a means of redressing the balance between different schools of interpretation, as an extension of on ongoing critical discussion into a new direction, and as an introduction to a wonderful world of cheap and tasteless pleasures." — Steffen Hantke , Film Criticism
"[I]nteresting and thoroughly researched. . . [A] unique approach to movie and horror history." — Library Journal
"[T]he first [book] to analyze and explain the numerous economic factors that changed how horror films were produced and distributed from 1953-1968, from the end of studio era to the conglomeration of New Hollywood." — John F. Barber , Leonardo
"Brimming with plot synopses and including an appendix, this text serves as reference guide as well as a critical work. . . . [T]his text achieves its goals in giving a detailed account of major changes, and reasons for them, in horror films and the American film industry during the 1950s and 1960s." — Rebecca Janicker, Scope
"Each chapter of this book provides new insight into the development of the horror film by using influential horror films as examples. . . . [A]ny reader with an avid interest in the horror genre will find entertainment in descriptions of the innovations that wowed the baby boomers and contributed towards the evolution of the horror genre." — Anna Martinovsky, M/C: A Journal of Media & Culture
"Kevin Heffernan provides a smoothly written and vastly entertaining chronicle of the concurrent transformations of the horror film and the motion picture marketplace. He possesses that rare but always winning combination of a scholar's assiduous compression of detail and a fan's avid appreciation of his subject matter." — David Sanjek , The Journal of American History
"This thorough book will be good supplementary reading in introductory film courses and in courses on film history and genres. Highly recommended." — A.F. Windstead, Choice
[W]orthwhile for broadening our understanding of the complexity related factors shaping an art form that in turn shapes popular culture.” — Sharon Yang , Journal of Popular Culture
“As someone who grew up watching late-night chiller feature series on television, reading Famous Monsters of Filmland magazine, listening to haunted house sound effects records, and making my own super-8 monster movies, I read Kevin Heffernan’s book with nostalgia and delight. He provides the historical, cultural, and economic context for many of the texts and artifacts of my own misbegotten youth.”
— Henry Jenkins, coeditor of Hop on Pop: The Politics and Pleasures of Popular Culture
“This is the kind of book on horror films that I’ve been waiting years to read. Combining a historian’s rigor and a fan’s enthusiasm, Kevin Heffernan shows us how industrial considerations shaped the genre and how the marginalized horror film has in fact been at the center of changes in the American movie business for the past fifty years.” — Eric Schaefer, author of “Bold! Daring! Shocking! True!”: A History of Exploitation Films, 1919–1959