Acknowledgments ix

1. Introduction: Histories of the Future / Daniel Rosenberg and Susan Harding 1

2. A Notebook on Desert Modernism: From the Nevada Test Site to Liberace's Two-Hundred-Pound Suit / Joseph Masco 19

3. How to Make Resources in Order to Destroy Them (and Then Save Them?) on the Salvage Frontier / Anna Tsing 51

4. The Cell Phone and the Crowd: Messianic Politics in the Contemporary Philippines / Vicente L. Rafael 75

Interlude I. Global Futures: The Game / Anna Tsing and Elizabeth Pollman 105

5. Electronic Memory / Daniel Rosenberg 123

6. All That Is Solid Melts into Sauce: Futurists, Surrealists, and Molded Food / Jamar Hunt 153

7. Sing Out Ubik / Pamela Jackson 171

Interlude II. Access Fantasy: A Story / Jonathan Lethem 185

8. Subject, City, Machine / Miryam Sas 202

Interlude III. Manifesto of the Japanese Futurist Movement / Hirato Renkichi (Translated by Miryam Sas) 225

9. The Future of the Old Economy: New Deal Motives in New Economy Investors / Christopher Newfield 231

10. Why Rachel Isn't Buried at Her Grave: Ghosts, UFOs, and a Place in the West / Susan Lepselter 255

Interlude IV. The Trouble with Timelines and a Timeline of Timelines / Daniel Rosenberg and Sasha Archibald 281

11. Living Prophecy at Heaven's Gate / Susan Harding 297

12. Trauma Time: A Still Life / Kathleen Stewart 321

Bibliography 341

Notes on Contributors 355

Index 357

Daniel Rosenberg

Joseph Masco

Anna Lowenhaupt Tsing

Vicente L. Rafael

Jamer Hunt

Pamela Jackson

Miryam Sas

Jonathan Lethem

Hirato Renkichi

Christopher Newfield

Susan Lepselter

Kathleen Stewart

Susan Harding

Elizabeth Pollman

Sasha Archibald

“Histories of the Future succeeds in unifying a variety of texts, multitudinous in form, by means of recurring themes such as boundaries, technology, risk, paranoia and fatalism. . . . The argument—that personal futures need not be closed off by official futures, and that all futures are haunted by the ghosts of past futures—is sustained throughout.” — Matt Harvey, Social Semiotics

“[A] fascinating account of the multiplicity of futures and future nostalgia that mark not only North America but non-Western contexts. . . .” — Graham J. Murphy, Science Fiction Studies

“[E]ntertaining and worthwhile reading.” — M/C Reviews

“[R]equired reading for anyone who wishes to think about the particular contingent development(s) of sf; to see more clearly the ground against which the figure of sf is often cast; and to comprehend more fully the ways in which the genre is only by convention a separate unique figure rather than an integral and interwoven part of that ground.” — Mark Bould, Extrapolation

“What distinguishes this collection above all . . . are the rich connections, links, and echoes across the pieces. This is a genuinely collaborative and carefully knitted-together project, in which contributors not only workshopped their pieces, and commented upon and responded to each other’s work over a number of years, but also went on excursions and site visits together. This collection not only offers diverse and striking perspectives on the histories of the future, but also represents a sophisticated model of how to stage a conversation concerning this.” — Gerard Goggin, Media International Australia

"[T]he essays demonstrate that the junkyards of the present proffer rich prospects of futurity where every nut can find a niche. More illuminating and frequently more amusing is the use of utopias for social comment, critics and satire." — Eugen Webber, TLS

"The volume as a whole manages to cover a satisfying range of subjects in the wide net it casts. There is enough in it to indulge the interests of individuals ranging from New Deal historians to die-hard sci-fi fans. . . . Histories of the Future gives us a few things to think about as we forge ahead with our short-sighted addiction to progress." — Kathleen Quillian, Leonardo Reviews

“Histories of the Future succeeds in unifying a variety of texts, multitudinous in form, by means of recurring themes such as boundaries, technology, risk, paranoia and fatalism. . . . The argument—that personal futures need not be closed off by official futures, and that all futures are haunted by the ghosts of past futures—is sustained throughout.” —Matt Harvey, Social Semiotics

“[A] fascinating account of the multiplicity of futures and future nostalgia that mark not only North America but non-Western contexts. . . .” —Graham J. Murphy, Science Fiction Studies

“[E]ntertaining and worthwhile reading.” —M/C Reviews

“[R]equired reading for anyone who wishes to think about the particular contingent development(s) of sf; to see more clearly the ground against which the figure of sf is often cast; and to comprehend more fully the ways in which the genre is only by convention a separate unique figure rather than an integral and interwoven part of that ground.” —Mark Bould, Extrapolation

“What distinguishes this collection above all . . . are the rich connections, links, and echoes across the pieces. This is a genuinely collaborative and carefully knitted-together project, in which contributors not only workshopped their pieces, and commented upon and responded to each other’s work over a number of years, but also went on excursions and site visits together. This collection not only offers diverse and striking perspectives on the histories of the future, but also represents a sophisticated model of how to stage a conversation concerning this.” —Gerard Goggin, Media International Australia

"[T]he essays demonstrate that the junkyards of the present proffer rich prospects of futurity where every nut can find a niche. More illuminating and frequently more amusing is the use of utopias for social comment, critics and satire." —Eugen Webber, TLS

"The volume as a whole manages to cover a satisfying range of subjects in the wide net it casts. There is enough in it to indulge the interests of individuals ranging from New Deal historians to die-hard sci-fi fans. . . . Histories of the Future gives us a few things to think about as we forge ahead with our short-sighted addiction to progress." —Kathleen Quillian, Leonardo Reviews

“An eclectic, provocative mix of ideas and approaches united by their common intelligence and lucidity, the essays in Daniel Rosenberg’s and Susan Harding’s Histories of the Future tease out unexpected adjacencies between a welter of social, political, and cultural scenarios that touch on questions of the yet-to-come. This is a book that should be read by anyone with an interest in the relationship of the future to the past—and of the present to both.” — Jeffrey Kastner, senior editor of, Cabinet magazine

“Telling of timelines to the end of time and boom times for imagining the future, this fine book is a boon for all of us who tune in for such timely discourses. Astute essays—and a chancy global futures card game—take the reader from salvage frontiers in South Kalimantan; to desert folk futurologies in Rachel, Nevada, and lived surreal cityscapes in Irvine, California; to fraught future makings through art, technology, and social movements in the Philippines and Japan; to that end-of-the millennium portal, Heaven’s Gate. Histories of the Future experiments with topic, genre, and mode. Its own narratives of the metastasizing metanarratives of late-twentieth-century and early-twenty-first-century future making are at home in trauma time, everyday time, Big Time, prophecy time, local nonstandard time, and global time. Asking how to examine grand stories with local acts, this valuable collection makes palpable the rich collaborative thinking that bound the authors as they studied the shapes of futures already lost and futures still imaginable. We never get Big Stories out of place; rather, Histories of the Future gives us robust places, artifacts, practices, texts, and performances in which narrative control of possible futures is at stake.” — Donna J. Haraway, University of California, Santa Cruz

Permission to Photocopy (coursepacks)

If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;

If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).

Permission to Reprint

If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).

Images/Art

Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
For book covers to accompany reviews, please contact the publicity department.

Subsidiary Rights/Foreign Translations

If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.

Disability Requests

Instructions for requesting an electronic text on behalf of a student with disabilities are available here.

Rights & Permissions Contact Information

Email: permissions@dukeupress.edu

Email contact for coursepacks: asstpermissions@dukeupress.edu

Fax: 919-688-4574

Mail:
Duke University Press
Rights and Permissions
905 W. Main Street
Suite 18B
Durham, NC 27701

For all requests please include:

1. Author's name. If book has an editor that is different from the article author, include editor's name also.

2. Title of the journal article or book chapter and title of journal or title of book

3. Page numbers (if excerpting, provide specifics)

For coursepacks, please also note: The number of copies requested, the school and professor requesting

For reprints and subsidiary rights, please also note: Your volume title, publication date, publisher, print run, page count, rights sought