• Image Matters: Archive, Photography, and the African Diaspora in Europe

    Author(s):
    Pages: 256
    Illustrations: 118 photographs, 10 illustrations
    Sales/Territorial Rights: World
  • Cloth: $94.95 - In Stock
    978-0-8223-5056-9
  • Paperback: $24.95 - In Stock
    978-0-8223-5074-3
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  • Acknowledgments ix

    Introduction: Our Family Tales and Photographic Records 1

    Part 1. Family Matters: Sight, Sense, Touch 21

    1. Family Touches 35

    Interstitial 1. The Girl and/in the Gaze 71

    2. Orphan Photos, Fugitive Images 83

    Part 2. Image Matters: Sight, Sound, Score 115

    Interstitial 2. "Thingyness"; or, The Matter of the Image 117

    3. The Lyric of the Archive 129

    Epilogue 199

    Notes 205

    Bibliography 223

    Illustration Credits 231

    Index 233
  • Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities. . . . I have family photos throughout my home, but after reading Image Matters, this thought provoking book, I will never look at them the same. They now seem to take on a life of their own beyond just images. This is a book that I highly recommend, especially from a scholarly perspective.”

    “Campt offers a compelling study of how ‘engaging the photograph as a dynamic and contested site of black cultural formation’ and belonging leads to insights about representation extending well beyond substantive particularities. In prose readily accessible to undergraduates, she adapts current theories concerning the intentionality of photography, "image-making as a collective and relational practice of enunciation," and "haptic visualities" to case studies of black German and British identity formation. . . . Recommended.”

    Image Matters offers historians (and other people) a fascinating and thought-provoking set of case studies and guide to productive ways of reading photographs, as well as to thinking about our own response to them.”

     “Image Matters is highly engaging, and Campt’s employment of multiple methodologies is adroit and interesting. . . . The book is an important addition to Africana / Afro-Caribbean Studies and Cultural and Media Studies. More precisely, Campt makes a critical scholarly contribution to how we conceive of the African Diaspora.”

    “In Image Matters, historian Tina M. Campt demonstrates how photographs have been deployed to produce racialized subjects, as well as how photographs are expressive cultural texts that reveal much about how the diaspora formed  and was formed by  culture.”

    “Campt offers some finely grained and perceptive readings of the images as she persuasively argues that the photographs show that the Afro-Europeans pictured in them found places in families and circles of friends, an argument that carries most weight with respect to the Afro-German children in the Third Reich.”

    “Tina Campt’s recent monograph achieves an authorial tone both deeply personable and strikingly engaging for the intellect. Her research contributes to the emerging field of black European studies through an interdisciplinary engagement with the intersecting discourses of photography, diaspora, and race. . . . Campt has produced a work of scholarship daringly subjective and intellectually provocative.”

    Reviews

  • Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities. . . . I have family photos throughout my home, but after reading Image Matters, this thought provoking book, I will never look at them the same. They now seem to take on a life of their own beyond just images. This is a book that I highly recommend, especially from a scholarly perspective.”

    “Campt offers a compelling study of how ‘engaging the photograph as a dynamic and contested site of black cultural formation’ and belonging leads to insights about representation extending well beyond substantive particularities. In prose readily accessible to undergraduates, she adapts current theories concerning the intentionality of photography, "image-making as a collective and relational practice of enunciation," and "haptic visualities" to case studies of black German and British identity formation. . . . Recommended.”

    Image Matters offers historians (and other people) a fascinating and thought-provoking set of case studies and guide to productive ways of reading photographs, as well as to thinking about our own response to them.”

     “Image Matters is highly engaging, and Campt’s employment of multiple methodologies is adroit and interesting. . . . The book is an important addition to Africana / Afro-Caribbean Studies and Cultural and Media Studies. More precisely, Campt makes a critical scholarly contribution to how we conceive of the African Diaspora.”

    “In Image Matters, historian Tina M. Campt demonstrates how photographs have been deployed to produce racialized subjects, as well as how photographs are expressive cultural texts that reveal much about how the diaspora formed  and was formed by  culture.”

    “Campt offers some finely grained and perceptive readings of the images as she persuasively argues that the photographs show that the Afro-Europeans pictured in them found places in families and circles of friends, an argument that carries most weight with respect to the Afro-German children in the Third Reich.”

    “Tina Campt’s recent monograph achieves an authorial tone both deeply personable and strikingly engaging for the intellect. Her research contributes to the emerging field of black European studies through an interdisciplinary engagement with the intersecting discourses of photography, diaspora, and race. . . . Campt has produced a work of scholarship daringly subjective and intellectually provocative.”

  • "In this lucid and meticulously argued book, Tina M. Campt questions the way we see and understand race by examining family photographs of black Europeans. Her detailed readings of studio portraits, snapshots, and orphaned images engage the multiple sensory registers on which images solicit and touch us. In our encounters with these photographs of belonging, displacement, and exclusion, we are reminded why images matter." — Saidiya Hartman, author of, Lose Your Mother: A Journey along the Atlantic Slave Route

    "None of the riveting photographs in Image Matters are what they first seem. As Tina M. Campt's analysis unfolds, the images of black diasporic communities in Europe are revealed to be infinitely complex. They complicate accepted narratives and link to larger questions about the nature of historical evidence and the historical process. Ultimately, they become a prism for thinking about the diasporic condition itself, drawing attention to the diversity of black experience and to the ways that diaspora involves not only movement but also staying put." — Elizabeth Edwards, author of, The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918

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  • Description

    In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of "race" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.

    About The Author(s)

    Tina M. Campt is Director of the Africana Studies Program and Professor of Africana and Women's, Gender and Sexuality Studies at Barnard College, Columbia University. She is the author of Other Germans: Black Germans and the Politics of Race, Gender, and Memory in the Third Reich.

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