The Accused, Fact Sheet, Public Version—Radacted  1
Foreground. Monster  3
Part I. Confession
Interrogation. Comrade Duch's Abecedarian  41
1. Man (Opening Arguments)  44
2. Revolutionary (M-13 Prison)  68
3. Subordinate (Establishment of S-21)  90
4. Cog (Policy and Implementation)  103
5. Commandant (Functioning of S-21)  130
6. Master (Torture and Execution)  142
Erasure. Durch's Apology  168
Part II. Reconstruction
Torture, A Collage. The Testimony of Prak Khan, S-21 Interrogator  171
7. Villain (The Civil Parties)  176
8. Zealot (Prosecution)  197
9. Scapegoat (Defense)  213
10. The Accused (Trial Chamber Judgment)  229
Background. Redactic (Final Decision)  243
Epilogue. Man or Monster? (Conviction)  288
Acknowledgments  297
Timeline  301
Abbreviations  303
Notes  305
Bibliography  335
Index  345

"Hinton’s book doesn’t just tackle the complexity of a character like Duch through the lens of the trial. It offers a way to understand the court proceedings, which can often be dry, convoluted, and peppered with legalistic jargon." — Erin Handley, Phnom Penh Post

"Hinton’s intent is ambitious and unusual; recording is not enough. As he explains in his dense introduction, he wants us to understand this man, this trial and the questions it raises in our very bones. So, contrary to standard academic practice, he presents his material in an astonishing variety of ways. . . . Hinton’s book is profound, insightful and singular, probably even important. Most certainly a boon to anyone interested in Khmer Rouge history, international tribunals, torture or the ambiguities of evil."
  — Antonia D. Bryan, Mekong Review

"The book draws on various literary genres in compiling a work which is artistic and scholarly, readable yet theoretically grounded, empirically rigorous and engaging yet approachable by people unfamiliar with the case. . . . This book will become standard reading for anyone studying the portrayal of perpetrators during post-conflict justice processes. . . ." — Timothy Williams, Genocide Studies and Prevention

"Hinton has written a commendable work offering a new standard in the field of ethnodramatisation linked to the performative realm of an international tribunal where the hybrid nature of the court against the background of a shattered Buddhist society rebuilding from the ashes makes for real spectacle. . . . His book also stands out for its literary and philosophical innovations."
  — Geoffrey C. Gunn, Journal of Contemporary Asia

"Hinton has written an interesting and insightful book, with a critical look at the way justice shapes and 'redacts' our understanding of the past, and an invitation for its readers to analyze our own way of seeing the world and overcome the simple categorizations we all use in our everyday life, which can have monstrous consequences."
  — Sanne Weber, Historical Dialogues

"Hinton does the reader a tremendous service by not reducing Duch to a single identity. The book is certainly not a sympathetic take on Duch’s character, but it is a concerted effort to create a multidimensional understanding of a complicated man acting in complicated circumstances.... By using Duch’s trial as a case study, Hinton also addresses the many larger questions of transitional justice."

  — Sharon Wu, LSE Review of Books

"Hinton expertly weaves trial proceedings, testimonials, and contemporary analyses of Democratic Kampuchea, thereby crafting an ambitious exposé of Duch’s trial and the various forces behind collective memory of him.... Man or Monster? is a thought-provoking literary triumph by Hinton" — Matthew Galway, Journal of International and Global Studies

"It is difficult to talk about enjoying a book like this given the weight of the subject matter, but Man or Monster? uses one man’s trial to pose important and challenging questions about how we understand periods of immense violence." — Rebecca Gidley, New Mandala: New Perspectives on Southeast Asia

"The book, with its chilling but instructive contents, will benefit tremendously Asian experts as well as specialists on pogrom as well as researchers and students interested in the Cambodian story." — Augustine Adu-Frimpong, African and Asian Studies

"[A] nuanced look at a complex individual who was not just a man or a monster but a little bit of both. Hinton’s analysis is detailed and his arguments are well-considered and thought-provoking." — Ronald Bruce St John, New Books Asia

"Hinton's 'scholarly memoir' is a commendably brave work, one that should be appreciated and, above all, read by many."  — Andrew Mertha, Contemporary Southeast Asia Review

"Alexander Laban Hinton has written a highly engaging and experimental ethnography of international justice that narrates the criminal trial of Kaing Guek Eav (aka 'Duch'), a central figure in the 'killing fields’ of 1970s Cambodia." — Richard A Wilson, Anthropology Book Forum

"Hinton’s book doesn’t just tackle the complexity of a character like Duch through the lens of the trial. It offers a way to understand the court proceedings, which can often be dry, convoluted, and peppered with legalistic jargon." —Erin Handley, Phnom Penh Post

"Hinton’s intent is ambitious and unusual; recording is not enough. As he explains in his dense introduction, he wants us to understand this man, this trial and the questions it raises in our very bones. So, contrary to standard academic practice, he presents his material in an astonishing variety of ways. . . . Hinton’s book is profound, insightful and singular, probably even important. Most certainly a boon to anyone interested in Khmer Rouge history, international tribunals, torture or the ambiguities of evil."
  —Antonia D. Bryan, Mekong Review

"The book draws on various literary genres in compiling a work which is artistic and scholarly, readable yet theoretically grounded, empirically rigorous and engaging yet approachable by people unfamiliar with the case. . . . This book will become standard reading for anyone studying the portrayal of perpetrators during post-conflict justice processes. . . ." —Timothy Williams, Genocide Studies and Prevention

"Hinton has written a commendable work offering a new standard in the field of ethnodramatisation linked to the performative realm of an international tribunal where the hybrid nature of the court against the background of a shattered Buddhist society rebuilding from the ashes makes for real spectacle. . . . His book also stands out for its literary and philosophical innovations."
  —Geoffrey C. Gunn, Journal of Contemporary Asia

"Hinton has written an interesting and insightful book, with a critical look at the way justice shapes and 'redacts' our understanding of the past, and an invitation for its readers to analyze our own way of seeing the world and overcome the simple categorizations we all use in our everyday life, which can have monstrous consequences."
  —Sanne Weber, Historical Dialogues

"Hinton does the reader a tremendous service by not reducing Duch to a single identity. The book is certainly not a sympathetic take on Duch’s character, but it is a concerted effort to create a multidimensional understanding of a complicated man acting in complicated circumstances.... By using Duch’s trial as a case study, Hinton also addresses the many larger questions of transitional justice."

  —Sharon Wu, LSE Review of Books

"Hinton expertly weaves trial proceedings, testimonials, and contemporary analyses of Democratic Kampuchea, thereby crafting an ambitious exposé of Duch’s trial and the various forces behind collective memory of him.... Man or Monster? is a thought-provoking literary triumph by Hinton" —Matthew Galway, Journal of International and Global Studies

"It is difficult to talk about enjoying a book like this given the weight of the subject matter, but Man or Monster? uses one man’s trial to pose important and challenging questions about how we understand periods of immense violence." —Rebecca Gidley, New Mandala: New Perspectives on Southeast Asia

"The book, with its chilling but instructive contents, will benefit tremendously Asian experts as well as specialists on pogrom as well as researchers and students interested in the Cambodian story." —Augustine Adu-Frimpong, African and Asian Studies

"[A] nuanced look at a complex individual who was not just a man or a monster but a little bit of both. Hinton’s analysis is detailed and his arguments are well-considered and thought-provoking." —Ronald Bruce St John, New Books Asia

"Hinton's 'scholarly memoir' is a commendably brave work, one that should be appreciated and, above all, read by many."  —Andrew Mertha, Contemporary Southeast Asia Review

"Alexander Laban Hinton has written a highly engaging and experimental ethnography of international justice that narrates the criminal trial of Kaing Guek Eav (aka 'Duch'), a central figure in the 'killing fields’ of 1970s Cambodia." —Richard A Wilson, Anthropology Book Forum

"Man or Monster? is an elegantly written, passionate, and well-documented treatment of genocide, collective memory, transitional justice, the problem of evil, and the trajectory of Cambodian history. Alexander Hinton's decades of engagement with these issues and with Cambodia give the book power, persuasiveness, and integrity." — David Chandler, author of, A History of Cambodia

"Alexander Hinton’s finely observed and elegantly meditative study of the Duch trial before the Khmer Rouge Tribunal prods us to think critically about how criminal trials construct and frame images of perpetrators of mass atrocity. Man or Monster? is a singular achievement." — Lawrence Douglas, Amherst College

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