Metapoesis

The Russian Tradition from Pushkin to Chekhov

Metapoesis

Sound and Meaning: The Roman Jakobson Series in Linguistics and Poetics

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Book Pages: 240 Illustrations: Published: April 1995

Subjects
Literature and Literary Studies > Literary Criticism

Readers have been schooled to see nineteenth-century Russian literature as the summit of social and psychological realism. But in the work of writers from Pushkin to Chekhov, Michael C. Finke discloses a pervasive self-referentiality, a running commentary on the literary conventions these texts seem so wholly to embody. Metapoesis examines how—and more importantly, why—a series of major Russian authors spanning the nineteenth century inscribed commentary on their own poetics into their works of drama, narrative poetry, and fiction. As he explores the process of metapoesis in these works, Finke reveals its communicative function in its time and its interpretive value in our own.
Jakobsonian poetics provides the framework for this approach, though Finke also draws freely upon a number of contemporary literary theorists. After elucidating the meaning of metapoesis in works by Pushkin, Gogol, and Chernyshevsky, he reveals its covert functioning in such masterpieces of realism as Dostoevsky’s The Idiot, Tolstoy’s Anna Karenina, and Chekhov’s "The Steppe." The result is a new interpretation and deeper understanding of these particular works, which in turn reorient our understanding of linguistic and literary "codes" and of the Russian literary tradition itself.
Of special interest to scholars of Russian literature, Metapoesis will also appeal to a broad range of readers and students of comparative literature, literary theory, and poetics.

Praise

“[An] excellent study.” — David Shepherd , Modern Language Review

“In this learned and often brilliant book, Finke shows that the tendency to comment on the literary process within the text is a distinguishing feature of the Russian tradition.” — Maria Nemcova Banerjee, Russian Review

"A subtle and profound book, excellently written. It is an important book. I no longer can think of the subjects Finke has treated in this book otherwise than on the foundation he laid." — Savely Senderovich, Cornell University


"An impressive and highly literate book. A thesis emerges that stretches not only over a century but also over several genres." — Caryl Emerson, Princeton University


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Michael C. Finke is Associate Professor of Russian at Washington University in St. Louis.

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Paper ISBN: 978-0-8223-1567-4 / Cloth ISBN: 978-0-8223-1556-8
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