Mondo Nano

Fun and Games in the World of Digital Matter

Mondo Nano

Experimental Futures

More about this series

Book Pages: 424 Illustrations: 131 illustrations Published: March 2015

Author: Colin Milburn

Subjects
Cultural Studies, Media Studies > Digital Media, Science and Technology Studies

In Mondo Nano Colin Milburn takes his readers on a playful expedition through the emerging landscape of nanotechnology, offering a light-hearted yet critical account of our high-tech world of fun and games. This expedition ventures into discussions of the first nanocars, the popular video games Second Life, Crysis, and BioShock, international nanosoccer tournaments, and utopian nano cities. Along the way, Milburn shows how the methods, dispositions, and goals of nanotechnology research converge with video game culture. With an emphasis on play, scientists and gamers alike are building a new world atom by atom, transforming scientific speculations and video game fantasies into reality. Milburn suggests that the closing of the gap between bits and atoms entices scientists, geeks, and gamers to dream of a completely programmable future. Welcome to the wild world of Mondo Nano.

Praise

“[Mondo Nano] offers a clear demonstration of how the methods, dispositions and goals of nanotechnology often converge with video game development and culture. … Milburn argues convincingly that video games let us try out different visions of the future, and better understand the present, from the nanoscale up.”   — Simon Parkin, New Scientist

“Milburn's profession isn't about judging the truth of nanotechnological hypotheses; it is about teasing out their technoscientific origins and effects. … Readers bearing that in mind will find Mondo Nano a thoroughly researched, thought provoking read that offers many points to ponder. . . .” — William Atkinson, Physics Today

"Sure enough, by the end of Mondo Nano, the connection between games and nanotechnology becomes so obvious, so pervasive, and so ubiquitous that one wonders how it was possible that we did not see it earlier. Needless to say, this is exactly how a really compelling argument works, and the elegance with which Milburn maps the terrain only adds graceful transparency to his discussion. . . . Mondo Nano is cultural scholarship at its very best, and it sets the bar very high for similar projects." — Pawel Frelik, Science Fiction Studies

"Mondo Nano revisits, in a new frame, the classic questions of technological media studies initially considered by scholars like [Walter] Benjamin: not whether the images have value as art or commerce, but more fundamentally, how do we enter into the worlds these intensively mediated images present? . . . Milburn takes those familiar questions seriously by seriously thinking about play. . . . Mondo Nano is itself designed as a game that playfully goes awry, mixing categories, subjecting science fact to science fiction history, speaking truth to power by reading cartoons of weaponized bodies rather than the actual super soldiers who remain a twinkle in their inventors’ phallic, futural gaze." — James S. Tobias, Los Angeles Review of Books

"[I]deas from Mondo Nano could open new areas for exploration on the role of play in innovation, team building in interdisciplinary collaborations, and outreach/education, and thus, targeted reads of certain sections may prove beneficial for groups with different interests. This may also be an interesting read for members of the STEM (Science, Technology, Engineering, and Mathematics) community who are reflecting on the Bplay^ aspects of their work and/or who are interested in connecting their nano-based research to philosophy or STS." — Stephanie Vasko, NanoEthics

"Required reading for anyone working in the digital humanities, media studies, or in the transdisciplinary spaces of science and literature, Milburn’s book models several different literary approaches to digital objects." — Jessica Hurley, American Literature

"Demonstrating the deadly serious consequences of the ubiquity of gaming experiences in a context of highly militarized speculative science, Mondo Nano...shows us that science fiction has become the realism of our time and gives us the tools to analyse and respond to this new technocultural condition." — Sherryl Vint, Year's Work in Science and Medicine

"Milburn's study is a brilliant, expansive, and eye-opening read." — Owen Matson, Market Scale

"...Mondo Nano is a radical reading journey that can take us deeply and critically into nanotech culture and inspire new modes of scholarship and pedagogy." — Andrew Hageman, Science Fiction Research Association

"I have closely followed the work of Colin Milburn since 2003, and I have always found his papers to be thoughtful and informative. But in Mondo Nano he achieves a new level of writing. He shows how much this material delights him, and I see how delightful it is for the reader to read him." — Chris Toumey, Nature Nanotechnology

"Milburn’s writing is clear, engaging, informative and approachable even for readers without any experience with nanotechnology. [Mondo Nano] is challenging because of its grand scale and endless reserve of associations, examples, ideas and possibilities, because each chapter proposes a different avenue of research with work waiting to be done, and because the reader must be willing to negotiate the serious and the playful, to entertain the possibility of things that sound ridiculous and to appreciate the benefits of a playful spirit in the face of issues of great consequence." — Chris Carloy, Science Fiction Film and Television

"For readers interested in how emerging technologies are realized, this book provides a rich portrayal of nanotechnology’s potential being apprehended and embodied virtually, fictionally, and actually through play. . . . This book comes as a refreshing response to 'gamification' literature, which tends to focus on how games can be extended to solve problems." — Maxwell Foxman, International Journal of Communication

"Offering a compelling theory of how nano discourse pervasively structures our experience of the world, Mondo Nano firmly establishes Colin Milburn as one of the most important critics of technoculture. Exploring the conflation of labor and play across research, entertainment, and educational sites, this volume sets an agenda for studying, as he puts it, 'the ways in which our recreational pleasures are made into bankable commodities, corporate securities, and militarized appliances.' An essential read." — Sherryl Vint, author of Science Fiction: A Guide for the Perplexed

"Mondo Nano's range is comprehensive and impressive: from nanotechnology that mimics video games to the nanotechnological bases of Second Life, from 'queering' nanotechnology video games to comic books. Colin Milburn has put his finger on an important topic and moment, creating an important merging of media and science and technology studies. There are moments of sheer brilliance here." — Wendy Chun, author of Programmed Visions: Software and Memory

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Price: $30.95

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Author/Editor Bios Back to Top

Colin Milburn is Gary Snyder Chair in Science and the Humanities and Professor of English, Science and Technology Studies, and Cinema and Technocultural Studies at the University of California, Davis. He is the author of Nanovision: Engineering the Future, also published by Duke University Press.

Table of Contents Back to Top
Press Start  1

Just for Fun  7

Digital Matters  39

Tempest in a Teapot  77

Massively Multiplayer Laboratories  108

Weapons-Grade Cartoons  135

Have Nanosuit—Will Travel  173

Nanopolitanisms  201

My Little Avatar  236

Game Over—Play Again?  293

Acknowledgments  301

Notes  305

Bibliography  349

Index  399
Sales/Territorial Rights: World

Rights and licensing

Winner, 2016 Science Fiction and Technoculture Studies Book Prize from the University of California, Riverside’s SFTS Program


Additional InformationBack to Top
Paper ISBN: 978-0-8223-5743-8 / Cloth ISBN: 978-0-8223-5729-2
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