“Museum Skepticism . . . will appeal to scholars, artists, museum administrators and curators, and art enthusiasts alike. Carrier's writing style is clear and his wry sense of humor frequently emerges throughout the text. Moreover, his theories and arguments are forthrightly sound, and he comes across as someone who is earnestly committed to the history, state, and fate of what is—or was—the modern museum. . . . Museum Skepticism is an important tool for bridging the gap between the often-theoretical realm of the academic and the hands-on world of the public art institution.” — Lyz Bly, Angle
“Museum Skepticism certainly delivers, what it promises-a valid and convincing theory that answers the question: "What is it to lead the life of a work of art?" It offers a glimpse into the lives of several iconic public art museums and the personalities that contributed to the development of these institutions and their collections. . . . With its passionate tone and accessible language, it should be part of any art student’s library.” — Alise Piebalga, Leonardo
“Carrier’s book . . . provides both a good entry into the history of some of the most paradigmatic public art collections in modern Europe and 20th-century America, such as the Louvre and the Getty Foundation, and as well as others (e.g. those institutions founded by Albert Barnes and Isabella Stewart Gardner), whilst at the same time enquiring into the changing status of both the institutions and the objects displayed within them.” — Arnd Schneider, Museum Anthropology Review
“In this intriguing study, David Carrier brings a philosophical viewpoint to bear on the institution of the art museum. . . . [E]ngaging. . . . [T]hought-provoking. . . .” — Kimerly Rorschach, Duke Magazine
“Rather than a work in philosophical aesthetics narrowly conceived, Carrier’s latest book, informed by architecture, art history, economics, philosophy, and political theory, is a welcome and substantial interdisciplinary contribution to the steadily growing field of museum studies.” — Jeffrey Wilson, Journal of Aesthetics and Art Criticism
“Reading Carrier’s later books, I always want to get up and go to a museum. Carrier puts the emotion back in looking at art.” — George J. Leonard, San Francisco Humanities Review
“This is a book which invites one to stroll around it, pausing and disgressing. . . .” — Keith Miller, Times Literary Supplement
“This is an informative book, packed with provocative ideas and informed by substantial research by a scholar familiar with the bibliography of museology and the history of collecting. It is enjoyable to read, well produced, and very reasonably priced.” — Jeffrey Weidman, ARLIS/NA Reviews
“With its wide range of sources, its fascinating structure, and its commitment to the defense of the institution it attempts to kill off prematurely, Carrier’s book will be widely purchased, much read. . . .” — Richard Brettell, History: Reviews of New Books
“Museum Skepticism is a fascinating study, original, brilliant, and erudite. I absolutely loved reading this book.” — Ellen Handler Spitz, author of The Brightening Glance: Imagination and Childhood
“David Carrier is one of only a handful of scholars who inhabit with ease the diverse worlds of philosophy, art history, art criticism, and now museology. His philosophical acuity probes the responsibilities, shortcomings, and achievements of art museums, and the responses of their academic critics. Carrier’s provocative reflections on the successive metamorphoses of these irreplaceable yet infuriating institutions are sure to be a stimulus to the democratic conversation about their future that he so warmly advocates. Reading Carrier is like reading Montaigne: no one could be a more thoughtful, witty, or erudite imaginary interlocutor for the fortunate reader of this impassionedly personal yet highly disciplined book.” — Ivan Gaskell, Harvard University