“Negative Exposures is a brave and revelatory book. With lyrical prose, nuanced argumentation, and a photosensitive eye, Margaret Hillenbrand limns the contours of China's contemporary cryptocracy, showing us how photographic images can work both to obscure and to bring the shadows of the historical past back into spectral presence.” — Andrew F. Jones, Professor of Chinese, University of California, Berkeley
“Negative Exposures is a boldly original book that analyzes cultural works based on photographs as objects that enable us to see and think through the unsayable in China. Margaret Hillenbrand contends that a culture of public secrecy, rather than censorship or historical amnesia, can explain how ordinary Chinese citizens fail or refuse to see and speak about difficult issues. This book is a powerful intervention that will be warmly welcomed and widely applauded.” — Chris Berry, Kings College London
“While sharply grounded in Chinese cultural history, Margaret Hillenbrand’s Negative Exposures is a valuable addition to current studies on visuality…. Negative Exposures is an insightful account of media objects’ centrality within anthropological, art-historical, literary, historical and sociological modes of analysis, binding often disparate methodologies together.”
— Shaowen Zhang, Critical Inquiry
“Margaret Hillenbrand’s incisive and beautifully composed monograph takes...‘photo-forms’—repurposed historical photographs—and their circulation as the point of departure for her fascinating excursus of public secrecy in contemporary China…. Her work could not have come at a more opportune time.” — Patricia M. Thornton, China Quarterly