1. Heinichen, Rameau, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave—Ludwig Holtmeier
2. The Realization of Partimenti: An Introduction—Giorgio Sanguinetti
3. Partimento, que me veux-tu?—Robert O. Gjerdingen
4. The Early Reception of Neapolitan Partimento Theory in France: A Survey—Rosa Cafiero
5. Partimenti in the Age of Romanticism: Raimondi, Platania, and Boucheron—Gaetano Stella