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  • Percussion: Drumming, Beating, Striking

    Author(s):
    Pages: 272
    Sales/Territorial Rights: World
  • Cloth: $99.95 - In Stock
    978-0-8223-2904-6
  • Paperback: $25.95 - In Stock
    978-0-8223-2919-0
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  • Acknowledgments

    Preface

    Introduction: (Re)percussions

    1. The End of Senseless Beating

    2. Knocking the Subject

    3. Different Strokes for Different Folks

    4. Sound of the City: A Musician Is Being Beaten

    5. A Drum of One’s Own


    Notes

    Works Cited

    Index
  • "[T]his work is exemplary, both analytically and performatively. . . . Percussion is striking."

    Reviews

  • "[T]his work is exemplary, both analytically and performatively. . . . Percussion is striking."

  • “This book contributes subtly and powerfully to the important project of self-reflexively retheorizing musical analysis. Mowitt knits together the most complex cultural theory with the most influential popular music in surprising and illuminating ways.” — Robert Walser, author of, Running with the Devil: Power, Gender, and Madness in Heavy Metal Music

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  • Description

    Percussion is an attempt—in the author’s words—to make sense of "senseless beating," to grasp how rhythm makes sense in music and society. Both a scholar and a former professional drummer, John Mowitt forges a striking encounter between cultural studies and new musicology that seeks to lay out the "percussive field" through which beating—specifically the backbeat that defines early rock-and-roll—comes to matter for raced, urban subjects.
    For Mowitt, percussion is both an experience of embodiment—making contact in and on the skin—and a provocation for critical theory itself. In delimiting the percussive field, he plays drumming off against the musicological account of the beat, the sociological account of shock and the psychoanalytical account of fantasy. In the process he touches on such topics as the separation of slaves and drums in the era of the slave trade, the migration of rural blacks to urban centers of the North, the practice and politics of "rough music," the links between interpellation and possession, the general strike, beating fantasies, and the concept of the "skin ego."
    Percussion makes a fresh and provocative contribution to cultural studies, new musicology, the history of the body and critical race theory. It will be of interest to students of cultural studies and critical theory as well as readers with a serious interest in the history of music, rock-and-roll and drumming.

    About The Author(s)

    John Mowitt is Professor of Cultural Studies and Comparative Literature at the University of Minnesota. He is the author of Text: The Genealogy of an Antidisciplinary Object, also published by Duke University Press.

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