List of Illustrations ix

Acknowledgments xv

INTRODUCTION

Photography on the Color Line 1

CHAPTER ONE


Envisioning Race 25

CHAPTER TWO

The Art of Scientific Propaganda 43

CHAPTER THREE

“Families of Undoubted Respectability” 7

CHAPTER FOUR

Spectacles of Whiteness:
The Photography of Lynching 113

EPILOGUE

The Archivist in the Archive 147

Notes 161

Bibliography 203

Index 217

“Photography on the Color Line should be widely read and widely taught. In this outstanding book, Shawn Michelle Smith has offered not only a spirited reading of a historically important group of photographs but also a methodology and theoretical grounding that are widely applicable even beyond the specific archive of the Du Bois photographs.”—Laura Wexler, author of Tender Violence: Domestic Visions in an Age of U.S. Imperialism — N/A

“Photography on the Color Line is both a complicated and fascinating read on race, human displays at expositions, and Du Bois’s notion of double consciousness. It is groundbreaking work on the Du Boisian concept of life on the color line.”—Deborah Willis, coauthor of A Small Nation of People: W. E. B. Du Bois and African American Portraits of Progress — N/A

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