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  • Acknowledgments vii

    Men in Color: Introducing Race and the Subject of Masculinities / Michael Uebel 1

    I. Reading Men, Reading Race

    Desire and Difference: Homosexuality, Race, Masculinity / Jonathan Dollimore 17

    Fiedler and Sons / Robyn Wiegman 45

    II. White Like Who?

    "As Thoroughly Black as the Most Faithful Philanthropist Could Desire": Erotics of Race in Higginson's Army Life in a Black Regiment / Christopher Looby 71

    Mezz Mezzrow and the Voluntary Negro Blues / Gayle Wald 116

    Reading the Blackboard: Youth, Masculinity, and Racial Cross-Identification / Leerom Medovoi 138

    The World According to Normal Bean: Edgar Rice Burroughs's Popular Culture / Harry Stecopoulos 170

    III. Visualizing Race and the Subject of Masculinities

    The Riddle of the Zoot: Malcolm Little and Black Cultural Politics during World War II / Robin D. G. Kelley 231

    "The Cool Pose": Intersectionality, Masculinity, and Quiescence in the Comedy and Films of Richard Pryor and Eddie Murphy / Herman Beavers 253

    The White Man's Muscles / Richard Dyer 286

    Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema / Yvonne Tasker 315

    Photographies of Mourning: Melancholia and Ambivalence in Van Der Zee, Mapplethorpe, and Looking for Langston / José Muñoz 337

    IV. Coming After

    Pecs and Reps: Muscling in on Race and the Subject of Masculinities / Deborah E. McDowell 361

    Works Cited 387

    Index 415

    Contributors 419

  • Michael Uebel

    Jonathan Dollimore

    Robyn Wiegman

    Christopher Looby

    Gayle Wald

    Leerom Medovoi

    Harilaos Stecopoulos

    Eric Lott

    Robin D. G. Kelley

    Herman Beavers

    Richard Dyer

    José Esteban Muñoz

    Deborah E. McDowell

  • “The contributors to Race and the Subject of Masculinities provide thought-provoking analyses on topics ranging from cross-racial identification to the impact of Elvis impersonators on the development of masculinities among middle-class white men. . . . The collection is a veritable feast of information and thought concerning ‘theoretical man’ and his masculinities.”

    Reviews

  • “The contributors to Race and the Subject of Masculinities provide thought-provoking analyses on topics ranging from cross-racial identification to the impact of Elvis impersonators on the development of masculinities among middle-class white men. . . . The collection is a veritable feast of information and thought concerning ‘theoretical man’ and his masculinities.”

  • "These essays are well researched, beautifully contextualized in relation to previous work in pertinent fields, and engagingly written. Race and the Subject of Masculinities will be extremely useful to scholars and critics working in gender studies." — Phillip Brian Harper, New York University

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  • Description

    Although in recent years scholars have explored the cultural construction of masculinity, they have largely ignored the ways in which masculinity intersects with other categories of identity, particularly those of race and ethnicity. The essays in Race and the Subject of Masculinities address this concern and focus on the social construction of masculinity—black, white, ethnic, gay, and straight—in terms of the often complex and dynamic relationships among these inseparable categories.
    Discussing a wide range of subjects including the inherent homoeroticism of martial-arts cinema, the relationship between working-class ideologies and Elvis impersonators, the emergence of a gay, black masculine aesthetic in the works of James Van der Zee and Robert Mapplethorpe, and the comedy of Richard Pryor, Race and the Subject of Masculinities provides a variety of opportunities for thinking about how race, sexuality, and "manhood" are reinforced and reconstituted in today’s society. Editors Harry Stecopoulos and Michael Uebel have gathered together essays that make clear how the formation of masculine identity is never as obvious as it might seem to be. Examining personas as varied as Eddie Murphy, Bruce Lee, Tarzan, Malcolm X, and Andre Gidé, these essays draw on feminist critique and queer theory to demonstrate how cross-identification through performance and spectatorship among men of different races and cultural backgrounds has served to redefine masculinity in contemporary culture. By taking seriously the role of race in the making of men, Race and the Subject of Masculinities offers an important challenge to the new studies of masculinity.

    Contributors. Herman Beavers, Jonathan Dollimore, Richard Dyer, Robin D. G. Kelly, Christopher Looby, Leerom Medovoi, Eric Lott, Deborah E. McDowell, José E. Muñoz, Harry Stecopoulos, Yvonne Tasker, Michael Uebel, Gayle Wald, Robyn Wiegman

    About The Author(s)

    Harry Stecopolous is Visiting Assistant Professor of English at the University of Iowa. Michael Uebel is Assistant Professor of English at the University of Kentucky.


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