Acknowledgments ix

Iintroduction. Reggaetón Takes Its Place 1

1. Iron Fist against Rap 21

2. The Perils of Perreo 52

3. Loíza 81

4. Fingernails con Feeling 104

5. Enter the Hurbans 130

Conclusion. Reggaetón’s Limits, Possibilities, and Futures 159

Notes 171

Bibliography 199

Index  215

"Remixing Reggaeton adroitly accomplishes the twin tasks of providing readers with a comprehensive chronological account of reggaeton’s development until the present, while at the same time placing its trajectory within the context of changing race relations and contested racial identities in Puerto Rico and beyond."  — Deborah Pacini Hernandez, Canadian Journal of Latin American and Caribbean Studies

"In Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico, Petra R. Rivera-Rideau has created an insightful and engaging work of music scholarship that forms an important contribution to the literature on Caribbean and Latin American music." — Gregory J. Robinson, Music Reference Services Quarterly

"[T]he strength of the book lies in the way it asks us to remix the concept of the African diaspora. By showing the similarities between African American and AfroLatinidad musical and political realities, it demonstrates that the cultural location of the African diaspora is homegrown, international, and replantable." — Jennifer Williams, Race and Class

"Petra R. Rivera-Rideau’s Remixing Reggaetón presents an insightful reading of reggaetón as a discursive cultural practice inextricably linked to the experience of blackness in the African diaspora.... Well written and organized, and convincingly argued, her timely study resonates with and contributes significantly to current academic understandings of music, race, gender, sexuality, and nation, and their intersections within the context of the African diaspora." — Francisco D. Lara, Notes

"Remixing Reggaeton adroitly accomplishes the twin tasks of providing readers with a comprehensive chronological account of reggaeton’s development until the present, while at the same time placing its trajectory within the context of changing race relations and contested racial identities in Puerto Rico and beyond."  —Deborah Pacini Hernandez, Canadian Journal of Latin American and Caribbean Studies

"In Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico, Petra R. Rivera-Rideau has created an insightful and engaging work of music scholarship that forms an important contribution to the literature on Caribbean and Latin American music." —Gregory J. Robinson, Music Reference Services Quarterly

"[T]he strength of the book lies in the way it asks us to remix the concept of the African diaspora. By showing the similarities between African American and AfroLatinidad musical and political realities, it demonstrates that the cultural location of the African diaspora is homegrown, international, and replantable." —Jennifer Williams, Race and Class

"Petra R. Rivera-Rideau’s Remixing Reggaetón presents an insightful reading of reggaetón as a discursive cultural practice inextricably linked to the experience of blackness in the African diaspora.... Well written and organized, and convincingly argued, her timely study resonates with and contributes significantly to current academic understandings of music, race, gender, sexuality, and nation, and their intersections within the context of the African diaspora." —Francisco D. Lara, Notes

"Petra R. Rivera-Rideau does an outstanding job explaining the contradictory power dynamics behind the representations of blackness in Puerto Rico. In exploring the ways in which racial identities get restructured, reorganized, and even elided through the music industry, Rivera-Rideau provides a significant contribution and a brilliant intervention into studies on race, blackness, and popular music in Puerto Rico."  — Frances R. Aparicio, author of, Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures

"An engaging intersectional exploration of reggaetón in the context of Puerto Rican racial politics, with a focus on how Afro-'diasporic resources' are deployed to counter the insidiousness of racial democracy discourses. Building upon ethnography, musical and performance analysis, and an expansive bibliography focused on racial politics, diasporic blackness, and popular culture, Remixing Reggaetón features a provocative exploration of Puerto Rican blackness(es) and the multiple ways they can be embodied, performed, perceived, and explained."  — Raquel Z. Rivera, coeditor of, Reggaetón

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