“[A] rich collection of essays. . . . Engaging and inspiring, challenging yet accessible, this book is a pleasure to read.” — Joanna Long, Cultural Geographies
“[A] splendid collection of essays, deploying a wide variety of forms, and with a broad range of interests. . . . It would be no exaggeration to suggest that Taboo Memories, Diasporic Voices, as the work of an anti-Zionist Mizrahim based in the United States, manages, in the most impressive way, to embody, dramatize, interpret, and mobilize the same condition.” — Conor McCarthy, College Literature
“[T]he collection functions as a window onto the issues and dilemmas confronted by an interdisciplinary cultural studies since the late 1980s, namely, the concerns raised by multiculturalism, transnational feminism, diaspora, and postcolonialism. However, the larger accomplishment of the volume is that it reveals a pioneering mode of cultural criticism that may be definitively viewed as a ‘post-orientalist’ practice of knowledge. . . . As an essayist, [Shohat] has a knack for constructing a platform of inquiry through a prism of complexities and interrelationships, and for scrutinizing a given phenomenon of culture along multiple axes, investments, and stakes. These qualities make this a valuable book, and we may hope that more from Shohat is in the works.” — Saloni Mathur, CAA Reviews
“[T]his collection makes a set of indispensable arguments about the interplay between culture, empire, race, gender, and the politics of representation in dissimilar geohistorical contexts. . . . Taboo Memories, Diasporic Voices is indispensable reading for those engaged in the important work of pushing Middle East studies further.” — Rebecca Luna Stein, International Journal of Middle East Studies
“Even though, over the years, I had read many of these essays, the book proved hard to put down. I delighted in the richness of the array, which displays the breadth as well as the depth of Shohat’s analysis, while pushing toward new scholarly and intellectual possibilities that more accurately express our hybrid and resistant complexities.” — Nada Elia, Journal of Middle East Women’s Studies
“This collection will be especially valuable to readers seeking to explore the postcolonial with an integrated frame of reference to the Middle East and Africa, at a moment when grand anti-colonial metanarratives no longer thrive and yet problems of racism and neo-imperialism survive hardily, as Shohat reminds us in ‘Post-Fanon and the colonial.’” — Deborah Jenson, Interventions
“This is a fascinating collection of essays that both reprises important thematic strands in her earlier work and extends the scope of her critical interests. . . . Taboo Memories, Diasporic Voices is a superb catalyst for the resurgence of those many-accented Jewish diasporic voices long occluded by Euro-Zionist hegemony.” — Ned Curthoys, Holy Land Studies
“This is a great collection of Ella Shohat’s essays. . . .” — John Bunzi, Digest of Middle East Studies
“Amplitude, in both scope and wavelength, is the operative word for these essays. Each essay breaks out a cascade of examples—the sheer wealth of citation alone makes this volume exceptional. Its vibrant combination of skepticism and generosity is Ella Shohat’s trademark. — Mary Louise Pratt, author of Imperial Eyes: Travel Writing and Transculturation
“Ella Shohat’s writing explores the volatile border regions where feminist theory meets anticolonial thought and where the politics of culture encounters the powers of imperialist reason. What she writes is important, inspiring, and fearless.” — Timothy Mitchell, author of of Experts: Egypt, Techno-Politics, Modernity
“From her keen observations about the politics of knowledge production in the U.S. university, to her canny elucidation of the gendered geographies of colonial cinema, to her critical engagements with post-Zionist discourse, Ella Shohat’s bold intelligence is unparalleled. This volume collects her key interventions that have shaped and illuminated the debates we have come to know as multiculturalism, postcolonial discourse, and transnational feminism.” — Lisa Lowe, coeditor of The Politics of Culture in the Shadow of Capital