The Essential Senghor
African Philosophy and Black Aesthetics
Book
Pages: 406
Published: April 2026
Author: Léopold Sédar Senghor
Editors: Doyle D. Calhoun, Alioune B. Fall, Cheikh Thiam
Translators: Doyle D. Calhoun, Alioune B. Fall, Cheikh Thiam
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This title will be released on April 14, 2026
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Author/Editor Bios
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Léopold Sédar Senghor (1906–2001) was a poet, philosopher, and the first president of Senegal.
Doyle D. Calhoun is University Assistant Professor of Francophone Postcolonial Studies at the University of Cambridge.
Alioune B. Fall is Assistant Professor of Black Studies and French at Providence College.
Cheikh Thiam is Department Chair of English and Professor of Black Studies at Amherst College.
Doyle D. Calhoun is University Assistant Professor of Francophone Postcolonial Studies at the University of Cambridge.
Alioune B. Fall is Assistant Professor of Black Studies and French at Providence College.
Cheikh Thiam is Department Chair of English and Professor of Black Studies at Amherst College.
Table Of Contents
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Translators’ Note vii
Acknowledgments xiii
Introduction. “Léopold Sédar Senghor (1906–2001): A Reintroduction” / Doyle D. Calhoun, Alioune B. Fall, and Cheikh Thiam 1
Part 1. Negritude: A Humanism for the Twentieth (and Twenty-First) Century
1. Constitutive Elements of a Civilization of Negro-American Inspiration 27
2. Negritude Is a Humanism of the Twentieth Century 63
3. Negritude and Modernity:, or, Negritude Is a Humanism of the Twentieth Century 75
4. Concerning Negritude 105
5. Negritude, as the Culture of Black Peoples, Shall Not Be Eclipsed 129
6. For a Modern and Negro-African Philosophy 145
7. As Manatees Go to Drink from the Source 175
Part 2. Negritude, Aesthetics, and Philosophy
8. What the Black Man Offers 189
9. The Contributions of Negro Poetry to the First Half of the Century 209
10. Negro-African Aesthetics 225
11. The Function and Meaning of the First World of Negro Arts 241
12. For a Negro Criticism 247
13. From French Poetry to Francophone Poetry; or, The Contributions of Negroes to Francophone Poetry 251
14. Oral Tradition and Modernity 271
Part 3. Negritude, Métissage, and the Dialogue of Cultures
15. The Problem of Culture in French West Africa 281
16. Perspectives on Black Africa; or, To Assimilate, Not Be Assimilated 295
17. Why an Indo-African Department of the University of Dakar? 329
18. Negritude and Mediterranean Civilization 343
19. French and African Languages 355
20. The Dialogue of Cultures 373
Index 387
Acknowledgments xiii
Introduction. “Léopold Sédar Senghor (1906–2001): A Reintroduction” / Doyle D. Calhoun, Alioune B. Fall, and Cheikh Thiam 1
Part 1. Negritude: A Humanism for the Twentieth (and Twenty-First) Century
1. Constitutive Elements of a Civilization of Negro-American Inspiration 27
2. Negritude Is a Humanism of the Twentieth Century 63
3. Negritude and Modernity:, or, Negritude Is a Humanism of the Twentieth Century 75
4. Concerning Negritude 105
5. Negritude, as the Culture of Black Peoples, Shall Not Be Eclipsed 129
6. For a Modern and Negro-African Philosophy 145
7. As Manatees Go to Drink from the Source 175
Part 2. Negritude, Aesthetics, and Philosophy
8. What the Black Man Offers 189
9. The Contributions of Negro Poetry to the First Half of the Century 209
10. Negro-African Aesthetics 225
11. The Function and Meaning of the First World of Negro Arts 241
12. For a Negro Criticism 247
13. From French Poetry to Francophone Poetry; or, The Contributions of Negroes to Francophone Poetry 251
14. Oral Tradition and Modernity 271
Part 3. Negritude, Métissage, and the Dialogue of Cultures
15. The Problem of Culture in French West Africa 281
16. Perspectives on Black Africa; or, To Assimilate, Not Be Assimilated 295
17. Why an Indo-African Department of the University of Dakar? 329
18. Negritude and Mediterranean Civilization 343
19. French and African Languages 355
20. The Dialogue of Cultures 373
Index 387
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Paper ISBN:
978-1-4780-3860-3 /
Hardcover ISBN:
978-1-4780-3367-7 /
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