The Wombs of Women

Race, Capital, Feminism

The Wombs of Women

Theory in Forms

More about this series

Book Pages: 168 Illustrations: Published: July 2020

Author: Françoise Vergès

Translator: Kaiama L. Glover

Subjects
Gender and Sexuality > Feminism and Women’s Studies, Postcolonial and Colonial Studies, Theory and Philosophy > Feminist Theory

In the 1960s thousands of poor women of color on the (post)colonial French island of Réunion had their pregnancies forcefully terminated by white doctors who operated under the pretext of performing benign surgeries for which they sought government compensation. When the scandal broke in 1970, the doctors claimed to have been encouraged to perform these abortions by French politicians who sought to curtail reproduction on the island, even though abortion was illegal in France. In The Wombs of Women—first published in French and appearing here in English for the first time—Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade, post-slavery imperialism, and current birth control politics . She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color. Ultimately, Vergès demonstrates how the forced abortions on Réunion were manifestations of the legacies of racialized violence of slavery and colonialism. 

Praise

“A fantastic, powerful, and accessible book, The Wombs of Women offers a historicized vision of postcolonialism and deprovincializes feminism by looking at the ways in which feminism has been nationalized to the detriment of its function as critique. It is the best ‘new’ feminist theory I’ve read in a long time.” — Joan Wallach Scott, author of Knowledge, Power, and Academic Freedom

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Author/Editor Bios Back to Top

Françoise Vergès, is an antiracist feminist activist, public educator, independent curator, and the cofounder of the collective “Decolonize the Arts” and of the free and open University Decolonizing the Arts. She is the author of Monsters and Revolutionaries: Colonial Family Romance and Metissage, also published by Duke University Press, Resolutely Black: Conversations with Aimé Césaire, and numerous books in French.

Kaiama L. Glover is Ann Whitney Olin Professor of French and Africana Studies at Barnard College.

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Table of Contents Forthcoming
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Paper ISBN: 978-1-4780-0941-2 / Cloth ISBN: 978-1-4780-0852-1
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