“[W]e can thank [DeKoven] for bringing back into view some of the most trenchant cultural analyses of a fascinating liminal cultural moment.” — Robert H. Abzug , Journal of the American Studies Association of Texas
"DeKoven’s study . . . benefits a great deal from the author’s (subtly described) personal investment in it as someone deeply affected by the sixties and deeply interested in how that period continues affecting the world."
— Matthew Roberson , English Studies Forum
"DeKoven's careful readings of primary materials and her intervention in the existing historiography can greatly help scholars themselves pivot more deftly through the whirligig of the 1960s and its dizzying spin toward the postmodern." — Michael J. Kramer, H-1960s, H-Net Reviews
"This book provides a clear-sighted and valuable reading of the ways in which the culture of the sixties contributed to the emergence of postmodernism and continues to inform the present conjuncture. . . . Utopia Limited is a stimulating, scholarly, and richly informed reading of the place of sixties culture in the vast sea-change from modernity to postmodernity. For scholars of contemporary literature, American studies, popular culture, and cultural history, this is a necessary and rewarding work." — Thomas Carmichael , Modern Fiction Studies
"Well thought out and argued, this book is recommended for cultural studies collections." — Library Journal
This book persuasively documents the emergence of postmodernism in literature, art, architecture, journalism, and politics, even as the Utopian strain within '60s modernism loses momentum." — Richard C. Collins , Virginia Quarterly Review
“In a series of wrenching, heretical re-readings of its classics, Marianne DeKoven rescues the decade of the sixties from a false familiarity and restores a sense of its adventurous if fragile alliance between literature and theory, modernist utopian critique and the messy creativity of the postmodern present. Instead of the usual nostalgia and polemic, Utopia Limited delivers intellectual precision and tough love. The story of the sixties has never been told with more rigor or more freshness.” — Bruce Robbins, author of Feeling Global: Internationalism in Distress
“Marianne DeKoven has written a blueprint for how to delve deep into the sixties without romantic or cynical nostalgia. She recaptures fully that cultural moment by showing how sixties writers kept sliding back and forth between totalizing dreams of utopia and more private and diverse expressions of their wishes and identities.” — Ann Snitow, coeditor of The Feminist Memoir Project: Voices from Women’s Liberation
“Utopia Limited will set in place a new way of understanding the interface between social, cultural, and political impulses in the sixties. Its aim—and its success—is not simply to mark out what we can now see as the emergent postmodern in texts as diverse as The Port Huron Statement and Fear and Loathing in Las Vegas, but to interpret, through attentive close readings, precisely how and where the modern and nascent postmodern are joined in such texts.” — Cora Kaplan, author of Sea Changes: Essays on Culture and Feminism