“The memory palaces of contemporary China are akin to a necropolis, one built atop a storied tenement. Within those virtual walls lost souls, dead dreams, frustrated ambitions, and reanimated specters continuously jostle; variously they haunt the living. Jie Li is a learned docent with an assured demeanor who guides us through the hidden passages and dark corridors of that labyrinthine structure with the judicious balance of a historian and the craft of a curator. Her navigation also confronts us with an imagined future in which the contentious possibilities and conflicted potentials of the past will inevitably be visited, and revisited, as China continues its titanic, two-century-long quest on the path to modernity.” - Geremie R. Barmé, editor of China Heritage
“Utopian Ruins presents a creative and nuanced approach to memories of the Maoist era and their various mediations, bringing together a remarkably diverse set of archives, including police dossiers, photography, films, and physical spaces. The questions that Jie Li raises are as vital for global history as they are for China, since socialism's demise leaves many around the world puzzled about the legacies of that period, how to remember them, and what to build in their place.” - Lisa Rofel, coauthor of Fabricating Transnational Capitalism: A Collaborative Ethnography of Italian-Chinese Global Fashion
“... [A] highly sophisticated, erudite and inspiring reflection on memories of Maoism and efforts at its memorialization.” - Edward Vickers, The China Quarterly
“This is a wonderful and important book. Important not only because of its nuanced readings of Mao era artifacts and their post-Mao remediation, but because it points in practical ways to possibilities for remembering the Maoist past.” - Kirk A. Denton, Modern Chinese Literature and Culture
“Utopian Ruins is an exceptional addition to the ever-growing scholarship on memory of and in the People’s Republic of China.... Jie Li creates space for a multivocality of voices in a thought-provoking study that is as impressive in scope as it is deep in meaning.” - Damian Mandzunowski, PRC History Review
“Li Jie’s study provides a rich and thought-provoking account ... and highlights the many-layered ambiguities inherent in today’s remembrances of the Mao era.” - Sebastian Veg, China Perspectives
“The strength of [Utopian Ruins] lies in ... selecting texts, photographs, documentaries and sites many of us are aware of to turn them into potential exhibits for a museum of China’s red past.... [Li] has skillfully created a book which is both deeply moving and intellectually rewarding.” - Susanne Weigelin-Schwiedrzik, China Information
“Utopian Ruins presents multilayered, pluralistic interpretations and representations of the Mao era.... This book is beautifully written and rich with sophisticated analysis.” - Di Luo, Twentieth-Century China
“Both for its poignant insights and blended methodologies and for its get-down-on-one’s-knees search-and-rescue operations, Utopian Ruins will be treasured by scholars and lay readers alike.” - Haiyan Lee, Journal of Asian Studies
“Jie Li shows that a lively engagement with critical theory need not be either obfuscating or abstract. She hones in on the productive questions of knowledge production, meaning making, and power, drawing from notable theorists and previous studies to illuminate and make comparable her conclusions.” - Timothy Cheek, American Historical Review
“Jie Li specializes in the media and literature of Mao-era China, and in this book each of the first five chapters easily stand alone as academic studies of prison writings, dossiers, films, and photographs. Bound together they form an insightful . . . commentary on the history and legacy of the Mao era. - James Flath, The Public Historian
“Utopian Ruins exemplifies a model of scholarship that seamlessly interconnects solid archival digging, informed theoretical guidance, and holistic yet nuanced in-depth analysis. . . . As a courageous pioneering act of resisting the massive amnesia of insurmountable loss throughout the Mao era, Utopian Ruins paves a new direction for curators to design their future exhibitions of what Mao’s China was like.” - Enhua Zhang, Prism
