“In this close reading of use, Sara Ahmed leads the reader from object to object at a pace that moves with the deliberateness of a philosopher and the grace of a literary scholar. With this and other books, Ahmed has established herself as one of the most important feminist thinkers in the world.” — Rosemarie Garland-Thomson
“With characteristic verve and force, Sara Ahmed explores the uses of use. More than a history of an idea and much more than a philosophical investigation of use and value, Ahmed’s book teaches us how to locate use, usefulness, used-upness, used objects, and useful and useless knowledge in relation to time, space, queerness, and more. Read this book; you need it, and more importantly, you will use it. It is useful and useless in equal proportion and compelling precisely because of its mixed-use value. Before you know it, you will get used to use and you will carry it with you always.” — Jack Halberstam
“How lucky we are that feminist killjoy Sara Ahmed takes us on her learned, witty, and insightful journey. With her evocative exasperation at the state of affairs with regard to the (im)possibilities of diversity work and complaint, she dismantles the sexist and racist structures of the modern university. Now as a courageous, independent scholar, Ahmed continues to shine her characteristic phenomenological lights on walls and doors and more. She is still here; she refused to get used to it!” — Gloria Wekker
"By crafting different routes, travelling lesser-known paths, and finding alternate ways of telling stories about use, Ahmed invites her readers to see the world from these non-normative subject positions and to rethink and reshape their own worldviews in the process." — Sohel Sarkar, AC Review of Books
"A well-written, engaging text. Highly recommended. All readership levels." — C. R. McCall, Choice
"Ahmed sought to write a text that intervenes in the everyday, that elevates a threadbare backpack to a place of unbound theoretical play. And she has done so. Although some readers may find themselves frustrated by Ahmed’s deflections of tangible directive, that seems to be precisely the point. Accessible and innovative, What’s the Use? will be of serious interest to activists, artists, and academics working at the intersections of queer and critical race studies." — Caitlin Mackenzie, QED