Women′s Experimental Cinema

“Women’s Experimental Cinema is a valuable and much needed contribution to a neglected area of scholarship in experimental film-making.” - M. Carmen Gomez-Galisteo, Historical Journal of Film, Radio and Television

“[T]he collection presents very good essays on important figures ranging from the canonical Marie Menken to the exhilarating Chick Strand and the protean Leslie Thornton, ending with Cheryl Dunye’s continuing ‘experimental sitcom of black lesbian life’ and a concluding article by Scott MacDonald on using films like these in the classroom. Every [essay] is thoughtful and lucid.” - David Sterritt, Cineaste

“A truly remarkable collection on feminist independent cinema, this is one of the most comprehensive and well thought out books on the subject to appear to date. . . . [T]he book moves from strength to strength to create a collection that is as cohesive as it is authoritative. . . . Well illustrated with behind-the-scenes production shots and frame blow ups from the films themselves, and written by some of the most gifted critics working in the field today, this collection is both deeply felt and rigorously detailed. Essential. All readers, all levels.” - W. W. Dixon, Choice

“I would recommend Women’s Experimental Cinema as a worthy omnibus for students of film or gender studies, and fans of experimental filmmaking. It provides an interesting insight for all filmmakers in understanding the innovations, motivations and objectives of the genre.” - Phoebe Hart, M/C Reviews

“In an era in which we are used to recovering access to material thought to have been lost to us, Blaetz is right to promote the extremely interesting work of this group of undeservedly unfamiliar women artists. They were controversial in their time, and their work remains challenging. Let us hope that Blaetz and her contributors will achieve their goal of making a larger public aware of this neglected body of work by a group of pioneering women who challenged social, sexual, and professional artistic expectations of women in their day.” - Harriet Margolis, NWSA Journal

“The sidelining of women in discussions of avant-garde film is not a new fact, but what makes this book groundbreaking is that it provides a critical analysis of the conditions that produced women’s invisibility within the cinematic avantgarde. . . . This book provides a convincing case for attending to the complexities of women’s experimental film.” - Jane Simon, Media International Australia

“Women’s Experimental Cinema is an invaluable resource for students and devotees of experimental cinema and feminist film, fields defined by remarkable films and a dearth of critical attention. It brings to light the social and political roots and cultural impact of women’s experimental film, and the specific female, feminine, and feminist practices of an exceptional group of women artists.” - Alexandra Juhasz, editor of Women of Vision: Histories in Feminist Film and Video

“This definitive volume on U.S. women’s experimental cinema fills a significant and long-lamented gap within film studies, and in feminist film studies in particular. Together, these essays offer us a richly nuanced picture not only of women’s experimental film but of avant-garde filmmaking in general from the 1940s to the present.” - Sharon Willis, author of High Contrast: Race and Gender in Contemporary Hollywood Film