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Kremen did not show his work publicly until a 1978 exhibition at the Southeastern Center for Contemporary Art featuring mostly small non-representational collages. In 1979 his works were exhibited at the Smithsonian Institution’s National Collection of Fine Arts, where they were received enthusiastically; the Washington Star heralded him as “an American master of collage” on the level of “Robert Motherwell, Anne Ryan, and Romare Bearden.” Since then, Kremen’s work has been shown in nearly thirty shows in the United States and abroad; favorably reviewed in the New York Times, Washington Post, Artforum International, the Chicago Tribune, and Art News; and acquired by museums and private collectors across the country.
The catalog includes full color illustrations of more than 100 of Kremen’s collages as well as twelve sculptures and three monumental pieces made over the past decade in collaboration with the Duke art professor William Noland.
Sarah Schroth is the Nancy Hanks Senior Curator at the Nasher Museum of Art at Duke University.