Sign up for new title announcements and special offers.
If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;
If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).
If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).
Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to email@example.com.
For book covers to accompany reviews, please contact the publicity department.
If you're interested in a Duke University Press book for subsidiary rights/translations, please contact firstname.lastname@example.org. Include the book title/author, rights sought, and estimated print run.
Instructions for requesting an electronic text on behalf of a student with disabilities are available here.
Kremen did not show his work publicly until a 1978 exhibition at the Southeastern Center for Contemporary Art featuring mostly small non-representational collages. In 1979 his works were exhibited at the Smithsonian Institution’s National Collection of Fine Arts, where they were received enthusiastically; the Washington Star heralded him as “an American master of collage” on the level of “Robert Motherwell, Anne Ryan, and Romare Bearden.” Since then, Kremen’s work has been shown in nearly thirty shows in the United States and abroad; favorably reviewed in the New York Times, Washington Post, Artforum International, the Chicago Tribune, and Art News; and acquired by museums and private collectors across the country.
The catalog includes full color illustrations of more than 100 of Kremen’s collages as well as twelve sculptures and three monumental pieces made over the past decade in collaboration with the Duke art professor William Noland.
Sarah Schroth is the Nancy Hanks Senior Curator at the Nasher Museum of Art at Duke University.
Sign up for Subject Matters email updates to receive discounts, new book announcements, and more.