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  • Cloth: $94.95 - In Stock
    978-0-8223-2330-3
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    978-0-8223-2365-5
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  • Acknowledgments xi

    Introduction:
    Touching the Past 1

    Chapter One
    It Takes One to Know One: Lollards, Sodomites, and Their Accusers 55

    Chapter Two
    Good Vibrations: John/Eleanor, Dame Alys, the Pardoner, and Foucault 100

    Chapter Three
    Margery Kempe Answers Back 143

    Coda
    Getting Medieval: Pulp Fiction, Foucault, and the Use of the Past 183

    Notes 207

    Bibliography 305

    Index 337
  • “A wonderful book. The things addressed are so heterogeneous—their sheer distance from one another is a kind of elegance.”—Robert Glück, San Francisco State University — N/A

    “Carolyn Dinshaw is preeminent for the subtlety with which she discloses gendered turmoil in historically situated texts. I can hardly wait to have Getting Medieval on my own shelf, to have its adventurous deployments of ‘the touch of the queer’ available for frequent consultation.”—Paul Strohm, University of Oxford — N/A

    “This book has a beautiful range, both among premodern English discourses and in postmodern theory, and Dinshaw really and truly does make these different textualities touch.”—Louise O. Fradenburg, University of California, Santa Barbara — N/A

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  • Description

    In Getting Medieval Carolyn Dinshaw examines communities—dissident and orthodox—in late-fourteenth and early-fifteenth-century England to create a new sense of queer history. Reaching beyond both medieval and queer studies, Dinshaw demonstrates in this challenging work how intellectual inquiry into pre-modern societies can contribute invaluably to current issues in cultural studies. In the process, she makes important connections between past and present cultures that until now have not been realized.
    In her pursuit of historical analyses that embrace the heterogeneity and indeterminacy of sex and sexuality, Dinshaw examines canonical Middle English texts such as the Canterbury Tales and The Book of Margery Kempe. She examines polemics around the religious dissidents known as the Lollards as well as accounts of prostitutes in London to address questions of how particular sexual practices and identifications were normalized while others were proscribed. By exploring contemporary (mis)appropriations of medieval tropes in texts ranging from Quentin Tarantino’s Pulp Fiction to recent Congressional debates on U.S. cultural production, Dinshaw demonstrates how such modern media can serve to reinforce constrictive heteronormative values and deny the multifarious nature of history. Finally, she works with and against the theories of Michel Foucault, Homi K. Bhabha, Roland Barthes, and John Boswell to show how deconstructionist impulses as well as historical perspectives can further an understanding of community in both pre- and postmodern societies.
    This long-anticipated volume will be indispensible to medieval and queer scholars and will be welcomed by a larger cultural studies audience.

    About The Author(s)

    Carolyn Dinshaw is Professor of English and Director of the Center for the Study of Gender and Sexuality at New York University. She is author of Chaucer’s Sexual Poetics and Chaucer and the Text: Two Views of the Author and cofounding editor of GLQ: A Journal of Lesbian and Gay Studies, also published by Duke University Press.

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