Clowns in the Burying Ground
The Grateful Dead, Literature, and the Limits of Philosophy
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Author/Editor Bios
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Christopher K. Coffman is Master Lecturer of Humanities at Boston University. He is the author of Rewriting Early America: The Prenational Past in Postmodern Literature and an editor of After Postmodernism: The New American Fiction and William T. Vollmann: A Critical Companion.
Table Of Contents
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Note on Sources ix
Introduction. Beyond Description: Art at the Limit 1
1. That’s When it All Began: Beat Literature, Future-Founding Poetry, and the Grateful Dead 35
2. Just Like Mary Shelley: The Gothic Tradition, the American Past, and the Grateful Dead 64
3. Perchance to Dream: Ovid, William Shakespeare, and the Grateful Dead 97
4. On the Heels of Rimbaud: Bob Dylan, the Grateful Dead, and the Nature of the Literary 121
5. Like an Angel: James Joyce, Rainer Maria Rilke, and Robert Hunter’s Modernist Inheritance 155
Conclusion: All That’s Still Unsung 197
Acknowledgments 211
Notes 213
Bibliography 229
Index 243
Introduction. Beyond Description: Art at the Limit 1
1. That’s When it All Began: Beat Literature, Future-Founding Poetry, and the Grateful Dead 35
2. Just Like Mary Shelley: The Gothic Tradition, the American Past, and the Grateful Dead 64
3. Perchance to Dream: Ovid, William Shakespeare, and the Grateful Dead 97
4. On the Heels of Rimbaud: Bob Dylan, the Grateful Dead, and the Nature of the Literary 121
5. Like an Angel: James Joyce, Rainer Maria Rilke, and Robert Hunter’s Modernist Inheritance 155
Conclusion: All That’s Still Unsung 197
Acknowledgments 211
Notes 213
Bibliography 229
Index 243
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Related Links
- Read Christopher Coffman's tribute to Bob Weir
- Listen to an interview with Christopher Coffman on KBOO
- Listen to an interview with Christopher Coffman on the Official Tapes podcast
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