Earth Diplomacy

“Jessica L. Horton persuasively shows how the lectures, teaching, performances, and works of Native American artists can be seen as a continuation of deep traditions of ‘earth diplomacy’ through which Indigenous peoples have long affirmed the reciprocal relationships between humans and nonhumans. Designed to maintain and restore harmony and peace, these political and spiritual practices through art constitute diplomacy in its most essential sense. Horton’s highly original intervention is particularly powerful in the present moment, as we grapple with environmental collapse.” - Ruth B. Phillips, author of Museum Pieces: Toward the Indigenization of Canadian Museums

“Jessica L. Horton offers a significant rupture to conventional art historical discourse in relation to the roles played by Indigenous artists during a pivotal twenty-year period during the Cold War. By shifting analysis outside of a governmental and colonially structured understanding, Horton brings much-needed attention to other methods of understanding diplomacy that respectfully and responsibly narrate Indigenous arts and artists in agential ways. With her impressive engagement with archival materials and artworks, Horton makes an important contribution to the literature of Indigenous art history.” - Carmen L. Robertson, author of Mythologizing Norval Morrisseau: Art and the Colonial Narrative in the Canadian Media

"It is not often that one reads a book that can be considered truly transformative. Jessica L. Horton . . . has written just such a book. . . . Earth Diplomacy advances a capacious paradigm-shifting way of thinking about Indigenous American art from the mid-1950s to the mid-1970s." - Daniel M. Cobb, Winterthur Portfolio

"A timely and generative intervention. . . . [Horton] liberates Indigenous art histories from settler-colonial frameworks by making Indigenous American art global or, rather, revealing it as having been a global phenomenon all along. In doing so, she also helps to transform our understanding of the global itself." - Luke Naessens, Art History

"By emphasizing the agency of Indigenous artists within Cold War cultural diplomacy, Horton contributes to ongoing historiographic debates about the intersections of art, politics, and Indigenous resistance. Additionally, though, she pushes forward the study of Cold War art history. Framing Indigenous artists as diplomats, she positions Indigenous modernisms as central, rather than peripheral, to the era’s geopolitical and aesthetic stakes." - Caroline Riley, CAA Reviews