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  • Acknowledgments vii

    Introduction ix

    I. Franklin Evans, or the Inebriate

    A Tale of the Times 1

    II. Supplementary Texts

    The Madman 117

    The Child and the Profligate 123

    An Address Delivered by Abraham Lincoln Before the Springfield Washingtonian Temperance Society, at the Second Presbyterian Church, Springfield, Illinois, On the 22nd Day of February, 1842 135

    Bibliography 145
  • Franklin Evans fascinates as a document of its time, revealing much about both 1840s America and its not-yet-great author.”

    “[A] handsome paperback edition, with a wonderfully thorough scholarly introduction. . . .”

    “[A]s an historical document whose text clearly renders many of the social tensions of the antebellum era, while showing just how the young Walter Whitman was making his living, [Franklin Evans] makes very interesting reading. . . . Franklin Evans is worth more than a cursory glance for what it truly represents—an effort by the young Walt Whitman to engage a wider audience with an homage to the bustling variety of New York life. Ever with an eye on the main chance, Whitman hopefully concludes his tale: ‘if my story meets with favour . . . my readers may hear from me again’ (114).”

    “[S]ure to become required reading for the borough’s bookish set.”

    “[T]he story’s assimilative energy, strange idealism and fascination with the pleasures of the masculine body, are characteristically Whitmanesque.”

    “[T]his well-introduced volume is a useful . . . edition for literary and historical study.”

    “Although worthless as a novel, Franklin Evans is a precious document that tells us much about the young Whitman. . . . [The editors] supply a fine and detailed introduction, a scrupulously annotated text, and several fascinating illustrations.”

    “Readers interested primarily in the social history of the country will find much here that is compelling. The temperance movement was the first wide-spread social reform movement in the United States, and the novel’s greatest claim to interest from a wider readership comes from what it reveals about that movement. . . . [T]here are also glimpses of the young poet’s developing voice. The novel reveals a belief in the power of words to change the lives and influence the actions of individual readers, most of whom would have come from the working class. Joined with more original language, this conviction would give Leaves of Grass, written a decade later, its passion and force.”

    “Sensational and sentimental by contemporary standards, the novel nevertheless holds some interest for the Whitman scholar as part of the long foreground to the visionary poetry Whitman went on to write.Recommended.”

    “Walt Whitman famously came to believe that Franklin Evans was ‘rot’ not worth the three days of concerted drunken effort he claimed it took him to write the temperance novel. In their outstanding introduction Christopher Castiglia and Glenn Hendler convincingly counter Whitman’s own negative review and clear space for renewed appreciation of Whitman’s only novel. . . . ‘[R]ot’ or not, Franklin Evans has now been deservedly made available to a wider audience.”

    Reviews

  • Franklin Evans fascinates as a document of its time, revealing much about both 1840s America and its not-yet-great author.”

    “[A] handsome paperback edition, with a wonderfully thorough scholarly introduction. . . .”

    “[A]s an historical document whose text clearly renders many of the social tensions of the antebellum era, while showing just how the young Walter Whitman was making his living, [Franklin Evans] makes very interesting reading. . . . Franklin Evans is worth more than a cursory glance for what it truly represents—an effort by the young Walt Whitman to engage a wider audience with an homage to the bustling variety of New York life. Ever with an eye on the main chance, Whitman hopefully concludes his tale: ‘if my story meets with favour . . . my readers may hear from me again’ (114).”

    “[S]ure to become required reading for the borough’s bookish set.”

    “[T]he story’s assimilative energy, strange idealism and fascination with the pleasures of the masculine body, are characteristically Whitmanesque.”

    “[T]his well-introduced volume is a useful . . . edition for literary and historical study.”

    “Although worthless as a novel, Franklin Evans is a precious document that tells us much about the young Whitman. . . . [The editors] supply a fine and detailed introduction, a scrupulously annotated text, and several fascinating illustrations.”

    “Readers interested primarily in the social history of the country will find much here that is compelling. The temperance movement was the first wide-spread social reform movement in the United States, and the novel’s greatest claim to interest from a wider readership comes from what it reveals about that movement. . . . [T]here are also glimpses of the young poet’s developing voice. The novel reveals a belief in the power of words to change the lives and influence the actions of individual readers, most of whom would have come from the working class. Joined with more original language, this conviction would give Leaves of Grass, written a decade later, its passion and force.”

    “Sensational and sentimental by contemporary standards, the novel nevertheless holds some interest for the Whitman scholar as part of the long foreground to the visionary poetry Whitman went on to write.Recommended.”

    “Walt Whitman famously came to believe that Franklin Evans was ‘rot’ not worth the three days of concerted drunken effort he claimed it took him to write the temperance novel. In their outstanding introduction Christopher Castiglia and Glenn Hendler convincingly counter Whitman’s own negative review and clear space for renewed appreciation of Whitman’s only novel. . . . ‘[R]ot’ or not, Franklin Evans has now been deservedly made available to a wider audience.”

  • “Christopher Castiglia and Glenn Hendler provide a truly state-of-the-art introduction to Walt Whitman’s only novel, a lively and thorough account of the varied contexts that best illuminate the significance of Whitman’s rough and rowdy tale.” — Michael Moon, author of, Disseminating Whitman: Revision and Corporeality in Leaves of Grass

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  • Description

    Not many people know that Walt Whitman—arguably the preeminent American poet of the nineteenth century—began his literary career as a novelist. Franklin Evans, or The Inebriate: A Tale of the Times was his first and only novel. Published in 1842, during a period of widespread temperance activity, it became Whitman’s most popular work during his lifetime, selling some twenty thousand copies.

    The novel tells the rags-to-riches story of Franklin Evans, an innocent young man from the Long Island countryside who seeks his fortune in New York City. Corrupted by music halls, theaters, and above all taverns, he gradually becomes a drunkard. Until the very end of the tale, Evans’s efforts to abstain fail, and each time he resumes drinking, another series of misadventures ensues. Along the way, Evans encounters a world of mores and conventions rapidly changing in response to the vicissitudes of slavery, investment capital, urban mass culture, and fervent reform. Although Evans finally signs a temperance pledge, his sobriety remains haunted by the often contradictory and unsettling changes in antebellum American culture.

    The editors’ substantial introduction situates Franklin Evans in relation to Whitman’s life and career, mid-nineteenth-century American print culture, and many of the developments and institutions the novel depicts, including urbanization, immigration, slavery, the temperance movement, and new understandings of class, race, gender, and sexuality. This edition includes a short temperance story Whitman published at about the same time as he did Franklin Evans, the surviving fragment of what appears to be another unfinished temperance novel by Whitman, and a temperance speech Abraham Lincoln gave the same year that Franklin Evans was published.

    About The Author(s)

    Walt Whitman (1819–1892) was a poet, journalist, and essayist. His enormously influential poetry includes the collection Leaves of Grass, first published in 1855.

    Christopher Castiglia is Professor of English at Pennsylvania State University. He is the author of Bound and Determined: Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty Hearst.

    Glenn Hendler is Associate Professor of English at the University of Notre Dame and Visiting Associate Professor of English at Fordham University (2006–07). He is the author of Public Sentiments: Structures of Feeling in Nineteenth-Century American Literature and a coeditor of Sentimental Men: Masculinity and the Politics of Affect in American Culture.

Fall 2017
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