"The editors and authors of this important collection have assembled a striking and original set of ideas and examples to illustrate and demonstrate their contention that the time is ripe for a new approach to the classical questions of aesthetic theory. The resulting comprehensive and persuasive demonstration will persuade interested readers that the job has been done, that a social aesthetics illuminates questions that have too long been left unexplored." — Howard S. Becker, author of, Art Worlds
"This groundbreaking collection brings together disparate fields, from ethnomusicology and art history to queer theory and philosophy, drawing them into a productive and at times heated conversation. Putting forward a whole set of new paradigms for considering music, improvisation, contemporary art, time-arts, new media, and aesthetics, the contributors advance the discourse on the improvised arts, potentially shaking up a number of disciplines in the process." — John Corbett, author of, Vinyl Freak
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