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"Melodrama is a major work that offers a superbly original way of thinking queerness, impossibility, and melodrama together. Exploring the insistence of nonidentity in the melodramatic mode, Jonathan Goldberg reads texts by Beethoven, Sirk, Fassbinder, Haynes, Hitchcock, Highsmith, Cather, and Davies to show how melodrama, by confronting limitation, reveals that nothing is only what it seems: other readings are always available; other potentialities always inhere. Beautifully elaborated, theoretically pointed, and intellectually provocative, Melodrama gives thought in constant motion a chance to take center stage." — Lee Edelman, author of, No Future: Queer Theory and the Death Drive
"Jonathan Goldberg is always interesting and always incisive. In this wide-ranging and powerfully revisionist study he tracks the melodramatic form across music, film, fiction, and television, from Fidelio to The Wire. His suggestive readings show how melodrama’s rhetoric of moral peril generates queer energy and brings about 'an aesthetics of the impossible situation.'" — Michael Warner, author of, Publics and Counterpublics
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