"The greatest achievement of Shimmering Images is Steinbock’s contestation of the status of the 'visible,' and of the attendant concepts expressed in the hegemonic Enlightenment insistence that to see something is to know it: 'visuality,' 'recognition,' 'knowledge,' and 'objectivity.'. . . . Steinbock leaves the reader with new tools for examining trans embodiment with(in) cinema." — Elizabeth Berman, Feral Feminisms
"Shimmering Images is often exquisitely poetic, evoking Roland Barthes's work as it describes the author's passionate investigation of media, mediation, and embodiment.… Steinbock's concept of shimmering images expresses how we thrill to certain mediated moments not in spite of, but because of, who we are and who we are becoming—in dialogue with the media that we encounter, that we seek out, and that shimmers in our lives." — Nicole Morse, Critical Inquiry
"Whether you are a cinephile, transgender studies scholar, or simply curious, Shimmering Images comes highly recommended to readers from a wide array of backgrounds." — Eva Theunissen, Tijdschrift voor Genderstudies
“Shimmering Images contains a rich and topical cultural analysis extending across time and across genres that is underpinned by a commitment to interdisciplinary research that will undoubtedly be of value for scholars and students in film studies, transgender studies, feminist theory, cultural studies, and queer theory.”
— Lieke Hettinga, Screen Bodies
"Through the concept of shimmering, Eliza Steinbock promotes a trans cinematic aesthetic that provides the means to move beyond examining issues of representation. Innovative and sophisticated, Shimmering Images offers a delightful, whirlwind experience and a stimulating encounter with cinema, media, and trans studies as well as aesthetics and affect theory." — Chris Straayer, author of Deviant Eyes, Deviant Bodies: Sexual Re-orientation in Film and Video
“Deftly combining film theory, affect theory, trans studies, and aesthetics, Eliza Steinbock's scintillating new book makes a bravura contribution to each of the fields it draws from. They argue that, in delinking and relinking sounds and images across literal cuts, filmmaking necessarily enacts a ‘transsexual logic of cinematic embodiment.’ The brilliance of the book lies in the sophistication with which it develops that fundamental insight into a full-fledged practice of reading, watching, feeling, thinking, and interpreting. It's a game-changer.” — Susan Stryker, coeditor of TSQ: Transgender Studies Quarterly
"Through the concept of shimmering, Eliza Steinbock promotes a trans cinematic aesthetic that provides the means to move beyond examining issues of representation. Innovative and sophisticated, Shimmering Images offers a delightful, whirlwind experience and a stimulating encounter with cinema, media, and trans studies as well as aesthetics and affect theory." — Chris Straayer, author of Deviant Eyes, Deviant Bodies: Sexual Re-orientation in Film and Video
“Deftly combining film theory, affect theory, trans studies, and aesthetics, Eliza Steinbock's scintillating new book makes a bravura contribution to each of the fields it draws from. They argue that, in delinking and relinking sounds and images across literal cuts, filmmaking necessarily enacts a ‘transsexual logic of cinematic embodiment.’ The brilliance of the book lies in the sophistication with which it develops that fundamental insight into a full-fledged practice of reading, watching, feeling, thinking, and interpreting. It's a game-changer.” — Susan Stryker, coeditor of TSQ: Transgender Studies Quarterly