“[The Aesthetics of Resistance,] which [Peter Weiss] began when he was well over fifty, making a pilgrimage over the arid slopes of cultural and contemporary history in the company of pavor nocturnus, the terror of the night, and laden with a monstrous weight of ideological ballast, is a magnum opus which sees itself . . . not only as the expression of an ephemeral wish for redemption, but as an expression of the will to be on the side of the victims at the end of time.” - W. G. Sebald,, On the Natural History of Destruction
“The Aesthetics of Resistance is centrally important to any kind of assessment of twentieth-century German history.” - James Rolleston, editor of A Companion to the Works of Franz Kafka
"The Aesthetics of Resistance is a work born out of a profound dissatisfaction with the ways we are given to think about history, politics, and those great works of art that offer to do more than merely reflect them. It is also born out of a deep misgiving about the authorial self, and the blindness to which it must give rise, since the existential individual is not a sufficient basis on which to erect an historically relevant aesthetic truth—indeed, it is a screen for masking it." - Julian Murphet, Sydney Review of Books
"For the right reader, The Aesthetics of Resistance offers unique rewards. The West’s literary memory of twentieth- century communism was largely shaped by ex- and anti-Communist writers like Arthur Koestler, Alexander Solzhenitsyn, Czeslaw Milosz, and George Orwell, who saw it as inimical to spiritual and intellectual life. Weiss makes a passionate case to the contrary, arguing that for the poor and oppressed, communism offered a key to spiritual and intellectual realms from which they had been historically excluded. But he is also acutely aware that the humanistic, emancipatory communism of his dreams had a foe in the actual Soviet Communist Party, with its demand for total submission to an ever-changing ideological line. Balancing hope against reality, Weiss’s novel tries to carry out the critique-from-within he outlined in his 'Ten Working Points' essay." - Adam Kirsch, New York Review of Books
"The second volume of Peter Weiss's The Aesthetics of Resistance, translated from the German by Joel Scott, ran like a red thread through this year's reading. Merging ekphrasis with a vibrant history of revolutionary struggle in early 20th-century Europe, this dense, serious novel helped to anchor me against the panicked churning of the news cycle." - Anne Boyer, Wall Street Journal
"Weiss’ capacity to marshal all this material within an immensely readable text would be miraculous even if throughout the novel we did not encounter some of the most serious considerations of works from within the canon of Western art, all rendered within a prose style of great clarity, quality and political commitment held at a pitch and stretching over a duration that is unmatched in any work of fiction of which I am aware. . . . The appearance of the second volume of Weiss’ The Aesthetics of Resistance in English, thanks to the efforts of Duke University Press, confirms its reputation as one of the twentieth century’s most unique and distinctive works of literary art." - Chris Beausang, Marx & Philosophy Review of Books
"At once a compeling tale of that resistance and an informative leftist history of the period it is situated in, Weiss’s Aesthetics of Resistance is not just his piéce de résistance, but a piéce de résistance of the twentieth century." - Ron Jacobs, Counterpunch
"What makes this translation special is that it follows Weiss’s 2016 Berlin edition, as explained in the afterword in Volume II of the English translation. Based on this posthumously published version, the translation follows a strict fidelity to the author’s vision. . . . Joel Scott's translation of this volume is compelling because he does not attempt to bypass its unwieldy sound."
- Mona Eikel-Pohen, Studies in 20th & 21st Century Literature
"With The Aesthetics of Resistance, Weiss was attempting something rare in the history of the form: a novel that marries vanguard politics and avant-garde aesthetics." - Ryan Ruby, The Point
"Weiss forces you to ask how the crisis you’re reading about could have been prevented, how it could still be transformed, and what it means for you right now. . . . It’s almost like Weiss wanted to prepare us, our ability to listen, to imagine, to stay rooted and stable, to trust, to be able enough to take collective action in the midst of a calamity. The book is a challenge, it’s training, but it’s not impossible. Neither is this moment." - Kay Gabriel and Patrick DeDauw, Bookforum
"Weiss’ novel shows that not only can one not live in such times without art, but that aesthetic education is necessary for survival, especially when the brutality and misery of political life threatens its existence, when the space for aesthetic contemplation shrinks, or seems secondary to more immediate concerns. Even though it is a chronicle of defeat, demoralization, murder and calamity, The Aesthetics of Resistance, as an act of remembrance, as an engagement with the past, with art and literature and the things that exist under the umbrella of eternity, nevertheless opens up an inspired space for thinking about the future of humanity. Memory, after all, is the Mother of the Muses." - Jared Marcel Pollen, Liberties
“Buy this book . . . and let your grasp of the extraordinary range of Weiss’s intellect and imagination change your life.” - Stanley Corngold, First of the Month
