The Vanishing

Shakespeare, the Subject, and Early Modern Culture

The Vanishing

Book Pages: 216 Illustrations: 26 b&w illustrations Published: August 2000

Author: Christopher Pye

Subjects
Literature and Literary Studies > Literary Criticism, Pre-Modern Studies > Medieval and Early Modern Studies

In The Vanishing Christopher Pye combines psychoanalytic and cultural theory to advance an innovative interpretation of Renaissance history and subjectivity. Locating the emergence of the modern subject in the era’s transition from feudalism to a modern societal state, Pye supports his argument with interpretations of diverse cultural and literary phenomena, including Shakespeare’s Hamlet and King Lear, witchcraft and demonism, anatomy theaters, and the paintings of Michelangelo.
Pye explores the emergence of the early modern subject in terms of a range of subjectivizing mechanisms tied to the birth of a modern conception of history, one that is structured around a spatial and temporal horizon—a vanishing point. He also discusses the distinctly economic character of early modern subjectivity and how this, too, is implicated in our own modern modes of historical understanding. After explaining how the aims of New Historicist and Foucauldian approaches to the Renaissance are inseparably linked to such a historical conception, Pye demonstrates how the early modern subject can be understood in terms of a Lacanian and Zizekian account of the emerging social sphere. By focusing on the Renaissance as a period of remarkable artistic and cultural production, he is able to illustrate his points with discussions of a number of uniquely fascinating topics—for instance, how demonism was intimately related to a significant shift in law and symbolic order and how there existed at the time a “demonic” preoccupation with certain erotic dimensions of the emergent social subject.
Highly sophisticated and elegantly crafted, The Vanishing will be of interest to students of Shakespeare and early modern culture, Renaissance visual art, and cultural and psychoanalytic theory.

Praise

“[T]hought-provoking, most particularly in [its] dissection of critical appetites to map subjectivity onto textual remains from the Early Modern period . . . .” — Andrew Hiscock , Sixteenth Century Journal

“Pye’s contribution lies in his willingness to engage with history as a discourse with its own conditions instead of taking it as the unexamined ground or container of the events, movements, and texts in its domain.” — Julia Reinhard Lupton, MLQ

"[H]is most forceful argument to date . . . . [I]nteresting . . . ."

— Thomas Page Anderson , Early Modern Literary Studies

“Christopher Pye’s elegantly written and argued The Vanishing is a terrific book. It could by itself renew interest in the merits and possibilities of psychoanalytic theory not only for reading early modern culture but for literary studies more generally.” — Karen Newman, author of Fashioning Femininity and English Renaissance Drama

“Pye moves with great concision, delivering dazzling insights and startling conjunctions. The Vanishing thus makes an important intervention in early modern studies, recalling the promise of ‘theory’ to advance our understanding of questions of history and representation.” — Jonathan Goldberg, author of Desiring Women Writing: English Renaissance Examples

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Price: $24.95

Open Access

Fall 2019 Sale
Author/Editor Bios Back to Top

Christopher Pye is Professor of English at Williams College. He is the author of The Regal Phantasm: Shakespeare and the Politics of Spectacle.

Table of Contents Back to Top
Acknowledgments

List of Illustrations

Introduction

1. The Theater, the Market, and the Subject of History


2. Froth in the Mirror: Demonism, Sexuality, and the Early Modern Subject


3. Vanishing Point


4. Dumb Hamlet


5. Subject Matter

Notes

Bibliography

Index
Sales/Territorial Rights: World

Rights and licensing
Additional InformationBack to Top
Paper ISBN: 978-0-8223-2547-5 / Cloth ISBN: 978-0-8223-2510-9
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